American Tonalist Barbizon George Inness Montclair New Jersey NAD
American Tonalist Barbizon George Inness Montclair New Jersey NAD Title: Dewy Morning Montclair Medium and support: Oil on canvas Size: 30×25 inches Framed: yes, in a Newcomb Macklin closed corner frame. The frame is a gold metal leaf carved frame with red undertones. Extremely heavy. Signed: No Condition: Relined, some inpainting Here are a few facts about the paintings that I am offering for sale: 1. The painting is recorded in the National Inventory of American Art in the Smithsonian Institution as IAP 63006761. Search the Inventories by copying the following text into you web browser: https://americanart.si.edu/research/inventories 2. It was sold at Sotheby’s Parke Barnet in NYC, Sale No. 1205, on June 23, 1987, Lot #86. Please see the black and white photo from the catalog. 3. The provenance was listed as Mrs. P. Kalt. A search of the NYTimes archives revealed that she was the wife of Mr. Pryor Kalt, the heir to the largest NYC lumber company. 4. The gallery label on the back places the painting at the Congress Hotel (and Annex) at 536 S. Michigan Avenue in Chicago sometime after 1909. (Chicago renumbered it’s streets in 1909 when Michigan Avenue was split into North and South.) 5. This address belonged to the Henry Reinhardt’s (and Son) Gallery, a major dealer in American Art. This address appeared in January 1, 1909 American Art Directory in the gallery’s ad which also showed locations in New York City, Paris, France and Chicago. Access the 1909 American Art Directory by copying the following text into your web browser: https://play.google.com/store/books/details?id=wVRPE0wcdxEC&rdid=book-wVRPE0wcdxEC&rdot=1 6. The 536 S. Michigan was 232 Michigan Avenue before 1909. The scheme of mapping of street addresses can be found in: http://www.chsmedia.org/househistory/1911snc/start.pdf 7. The 232 Michigan Avenue Chicago is shown on an exhibition catalogue of the Henry Reinhardt’s Galleries for the Exhibition of 18 George Inness Paintings held in March 1911. That catalogue can be accessed athttp://www.idaillinois.org/cdm/ref/collection/artic/id/124 8. The painting that is offered for sale shows all the 4 brushstroke types and various specific colors (e.g., lemon chrome) that are identified in the book by Prof. Dr. Adrienne Baxter Bell, Professor of Art at Marymount Manhattan College. Her book “George Inness and the Visionary Landscape” is a definitive scholarly book on Inness by an academic that is used to rigorous peer review. https://www.amazon.com/George-Inness-Visionary-Landscape-Adrienne/dp/0807600091/ref=sr_1_1?s=books&ie=UTF8&qid=1480534255&sr=1-1&refinements=p_27%3AAdrienne+Baxter+Bell 9. I understand from the previous owner who had bought the painting at the 1987 auction that Mr. Michel Quick, the author of George Inness: A Catalogue Raisonne, examined the painting 15 years ago and that he thought that the painting was not by Inness. He suggested that it was a version of the Farmhouse now in collection of the University of Nebraska. (The painting can be accessed at:https://odysseythroughnebraska.files.wordpress.com/2013/09/sheldon-farmhouse.jpg) He furhter suggested that The Farmhouse was reproduced in 1913 and perhaps an admirer of Innes must have seen it and made his version of that painting. My two cents: Recent digitally scanned documents, that I listed above, revealed that the painting I am selling was with the Henry Reinhardt and Son Galleries before the Farmhouse was reproduced in 1913. Thus, it seems highly unlikely that it is a copy of the Farmhouse. My painting is also softer and more atmospheric in manner than the Farmhouse. I would guess that Inness made it soon after the Farmhouse perhaps just before his death in 1894. The plethora of brushstrokes and the paint color types catalogued by Prof. Bell in her book are evident in the painting. My restorer, who restored many an Inness painting, did not detect anything unusual/out of ordinary with this painting. The technique of glazing and suspending the pigment in the glaze was evident in the painting. Anyway, given that the painting is not included in Mr. Quick’s catalogue of Inness’ work, I am curious to see what the ebay market thinks this painting is worth. Please feel free to ask questions. Please feel free to come by and inspect the painting or send your art conservator to do it for you.
ORIGINAL The Watering Place oil on stretched canvas attributed Frank F. English
Stream or watering hole. scenery, pastoral farm life, and coastal sunsets. Frank F. English was born in Indiana in 1854. In the early 1880s, he studied for five years in the evening classes of. Frank F. English (1854 – 1922).
Charles Warren Eaton (1857-1937) Original Painting 34 X 39 in. Famous Tonalist
Large original oil painting by famous Tonalist Artist Charles Warren Eaton (American 1857-1937). Large painting highlights Tonalist scene of a farmhouse at dusk, with pond in foreground. Eaton’s works are highly sought-after and have sold at important auction houses for very high prices. Note worthy artist is displayed in numerous collections not limited to -Brooklyn Museum of Art, Georgia Museum of Art, the Smithsonian Art Museum, National Academy of Design, the Boston Art Club, the Pennsylvania Academy of the Fine Arts, the Royal Academy in London, the St. Louis Exposition, the Buenos Aires Exposition, the Paris Gallery of Art, the Art Institute of Chicago, and the Carnegie Institute Come in frame appropriate to work. Size: site- 75 x 90 cm (29.75 x 35.5 inches) framed- 86 x 100 cm (34 x 39.5 inches) Condition: . Very nice- The work has been restored, trimmed and stabilized to board. Free domestic or International shipping! I WILL DO LAYAWAYS – JUST ASK 🙂 Returns & exchanges: Returns accepted within 30 days of the purchase of the item. However, the buyer is responsible for shipping the item back to us and that cost will not be refunded. We will refund your money for the item as soon as we receive the item back. Please send the item back to us with tracking. Biography: Charles Warren Eaton (1857 – 1937) A longtime resident of Bloomfield, New Jersey, Charles Warren Eaton was widely known in the late nineteenth and early twentieth centuries for his tonalist landscapes of New Jersey. Born in Albany, New York, he moved to New York City around 1879 to pursue his goal of becoming an artist. He enrolled in classes at the National Academy of Design and the Art Students League where he studied under J. Carroll Beckwith. By the time he was twenty-five, his paintings were accepted for exhibition at the National Academy where renowned English writer, Oscar Wilde, purchased one. Eaton achieved critical success by 1910. He moved to Bloomfield in 1888 and lived there until this death. In 1889, renowned artist, George Inness, from nearby Montclair, New Jersey visited the New York studio of Eaton. He was taken with Eaton’s talent and a close mentoring relationship began, which lasted until Inness’s death in 1894. Early in his career, Eaton became known for his scenes of the setting late afternoon sun and moonlit nocturnes over foreboding landscapes. Frequent trips to Europe resulted in many views painted of Bruges in Belgium, Lake Como, Italy, Holland, and France. He also began to concentrate on the white pine forests of central New England which became the subject matter for some of his most famous paintings. Some of the many institutions and salons where his paintings were exhibited include the National Academy of Design, the Boston Art Club, the Pennsylvania Academy of the Fine Arts, the Royal Academy in London, the St. Louis Exposition, the Buenos Aires Exposition, the Paris Gallery of Art, the Art Institute of Chicago, and the Carnegie Institute. He garnered many medals and awards internationally throughout his long career. Sources: New Hope for American Art, James Alterman Charles Warren Eaton, Montclair Art Museum, 1981 Azumino Jansem museum Powered by ExportYourStore.com
Ducks Bird Wildlife Oil Painting Landscape River Sunset Glow Signed Art Oil
Title: Peaceful twilight. I’m an artist, actor, and volunteer firefighter. For the past twelve years, I have been traveling in my Airstream trailer painting landscapes of this beautiful country of ours creating art that tries to capture a poetic mood.
“Hudson Valley” Landscape Oil Painting-1900/1910-Arthur Bowen Davies(1862-1928)
It is also titled on back, “Hudson Valley.”. It is in excellent condition. See the photos.
Oregon Oil Painting T. L. COUGHLIN ‘Forest Interior’, 16″ x 14″
‘FOREST INTERIOR’, OIL ON CANVAS, 16″ x 14″. The image shows a forest interior, the light showing colorful autumn foliage and redwood trees. Signed at lower right. Born in Ohio in 1842. During the 1870s Coughlin painted in Oregon while based in Portland.
Vintage Parlee Signed Oil Painting Forest River Landscape Framed Mid Century Art
Vintage oil painting on canvas signed by the artist Parlee, depicting a serene forest landscape with a winding river or stream. The piece features a striking color palette with a vibrant yellow-green sky that reflects beautifully in the water, contrasted by deep earthy browns and autumn-toned foliage. The painting is housed in a classic mid-century style wooden frame with a linen-textured inner border, adding a touch of rustic elegance to the presentation. This original work captures a peaceful wilderness scene with expressive brushwork and a nostalgic aesthetic. Measurements: • Height: 24.5″ • Width: 20.5″