Friedrich Wailand (1821-1904) “Young lady in white”, high quality miniature
800×600 Normal 0 21 false false false DE-AT X-NONE X-NONE MicrosoftInternetExplorer4 SHIPPING OPTIONS: We ship priority registered regular Austrian mail within 48 hours after your purchase. Usually, shipping with regular Austrian mail takes 10-14 days (USA / Worldwide), 3-7days (Europe) and 1-2 days (Austria). Not depending on us (due to local customs, local post, etc) delivery may take longer. ***OBS: Austrian mail refunds cases of loss or damage with maximum EUR 500. 800×600 The shipping cost here is for an external full insurance of the item! PROFESSIONALLY PACKED (by Mail Boxes Etc.) and fully insured (INCLUDES INSURANCE OF FRAME) expedited service is available upon request and subject to EXTRA CHARGES. Please contact us for customized quotes before buying. When contacting the seller please refer to item #37323 luapr23
Sir William John Newton “Lady on a terrace”, large miniature, 1860s
Creation Year: 1860s. studied at the Royal Academy Schools from 1807. Newton exhibited at the R.A. and British Institute in 1808-1863. Newton was appointed a miniature painter to William IV and Queen Adelaide in 1833 and painter to Queen Victoria, was knighted in 1837, the year of her accession (sic!).
August von Medvey (1812-1870) “Portrait of a Russian lady”, watercolor, 1860s
PLEASE READ SHIPPING DESCRIPTION CAREFULLY BEFORE BUYING! To learn more about us please click on our profile Portrait of a lady dressed and hairstyled according to the fashion of the 1860s, which means she was portrayed by author of this watercolor, Austrian artist August von Medvey (the watercolor is clearly signed “Av. Medvey”) already in Russia, where he arrived in 1850, and where he remained until his death. August von Medvey was born in 1812 in Koszelow, Galicia (West Ukraine). After finishing his law studies at the University of Lemberg (now Lvov) Medvey attended the Vienna Academy of Fine Arts as student of Leopold Kupelwieser in 1834-1836. In 1840 the artist was active in Budapest, then returned to Lemberg, where he led an intensive artistic life. His oeuvre is evidently influenced by the famous miniaturist Moritz Michael Daffinger. In 1848 Medvey spent a short time in Paris and in 1850 followed an invitation to Russia. He stayed in Odessa until 1852, then went to Moscow and later to St. Petersburg, where he became royal painter in 1858. In 1862 the artist moved to Kharkov (Ukraine), where he lived until his death in 1870. Medvey’s works can be seen in various Russian museum collections. Provenance: German private collection Condition: good Creation Year: 1860s Measurements: UNFRAMED: 32.5 cm x 22.0 cm / 12.8″ x 8.7″ inches FRAMED: 37.8 cm x 27.1 cm / 14.9″ x 10.7″ Inches Object Type: Framed watercolor Style: Portrait miniatures Technique: watercolor on paper Inscription: signed: Av.Medvey Creator: August von MedveyCreator Dates: 1812 Koszelow-1870 Kharkov Nationality: Austrian / Ukrainian Themes:AUSTRIAN OLD RUSSIAN RUSSIAN PORTRAIT MINIATURES UKRAINIAN FEMALE PORTRAIT SHIPPING OPTIONS: We ship priority registered regular Austrian mail within 48 hours after your purchase. Usually, shipping with regular Austrian mail takes 10-14 days (USA / Worldwide), 3-7days (Europe) and 1-2 days (Austria). Not depending on us (due to local customs, local post, etc) delivery may take longer. ***OBS: Austrian mail refunds cases of loss or damage with maximum EUR 500. 800×600 Normal 0 21 false false false DE-AT X-NONE X-NONE MicrosoftInternetExplorer4 PROFESSIONALLY PACKED (by Mail Boxes Etc.) and fully insured (INCLUDES INSURANCE OF FRAME) expedited service is available upon request and subject to EXTRA CHARGES. When contacting us please refer to item #36787 lujuni22
19th century English school -Flirting around Kids – Oil painting-c1860s
Oil painting on canvas -circa 1860s. canvas size 16×13″. in excellent condition.
19th century portrait of an Irish Terrier -Oil painting c.1860s
Welcome to my ebay store !Primarily searching for the “Unique & Rare” by dealing with some of the finest acquisitions and consignments of Prominent California Estates, Large Collections and Celebrity homes from Santa Barbara, Beverly Hills, Bell Air, Hollywood Hills,Los Feliz,Malibu, Pasadena, San Marino, Newport Beach, La Jolla and most of the best locations of the fabulous West Coast offering here is a 19th century portrait of an Irish Terrier -Oil painting c.1860s Oil painting on canvas – English School – circa 1860s Dimensions: Canvas 8 x 10 inches; Frame 17 x 19 inches A beautiful piece that will add to your décor! in excellent condition Please check all the photosyou may click on it to enlarge Images
Pierre Adrien Chabal Dussurgey Picturesque Country side Road-Oil Painting-c1860s
Pierre Adrien Chabal-Dussurgey was a French visual artist who was born in 1819. The artist died in 1902. oil painting on canvas -Signed. canvas size 17 x 22″. (1819 – 1902). Artist Biography.
Wilhelm F. Beurlin (d. 1878) “Motif of Istria” watercolor, 1860s (1)
Wilhelm (Guglielmo) Friedrich Beurlin was a well listed Austro-Italian artist, who was born in Trieste ca. 1830. He specialized in the genre of the landscape, painting works mostly depicting the mountains of Tyrol, Istria, the territories of Gorizia and the surroundings of Trieste, pervaded by a romantic inspiration.
Fine Antique Large Still Life Oil Painting Of Fruit James Poulton C 1860’s
For Sale we are delighted to present this stunning antique still life oil painting monogram signed J P for James Poulton active (1844-1859). ~~~~~~~ This large oil on canvas of a selection of arranged exotic fruit of Pineapple, Peach, Green & Black grapes, gooseberry, plumbs pumpkin & Pear is set on a table before a rummer & gold coloured salver with continental background of neoclassical pillar and clouded skyline. Painted supremely as to be expected by Poulton particularly noted in the gooseberries showing semi clear flesh & the amber glass lidded rummer. The painting is monogram signed to to the table edge & signed dated & location to rear. Housed in what we are sure is it’s original gorgeous wooden circular mount with broad Regency gilt pattern outer frame of acanthus leaf border with foliate corners. ~~~~~~~ Condition Supreme the painting came to us housed behind glass (which we have removed for transportation purposes & is not required) the stretchered frame canvas in great shape no damages no signs of repair, no losses no signs of overpainting or touch up, we removed the painting to remove the glass, dust and repaint the frame, the frame has no losses but the mount has 2 hairline cracks non detrimental to it’s original condition, outer frame has a couple of small holes to closest point to wall setting possibly from screws for wall mounts we can fill and paint if required. ~~~~~~~ In my opinion having researched the artist this is not only one of his finest works but is also in fine condition when viewing what few are on offer at the present moment & I would be surprised if anything near to this appears on the market ever again. ~~~~~~~ Measurements outer frame height 86.7 cm, width 86.7 cm depth of frame approximately 8 cm at deepest, Aperture diameter 59.4 cm. ~~~~~~~ About the Artist James Poulton Lived in the United Kingdom & was active in the 19th Century between 1844 & 1860 he painted mainly still life & fruit scenes & his works have been sold at Christie’s & Bonham’s. ~~~~~~~ Deliverywe package supremely bubble wrap & secure all paintings in tailor made plywood crates fully bound in fragile tape browse our feedback for reassurance. Please Notewe offer multiple purchase discounts on all paintings & combined shipping packaged & crated separately then ply crates attached to each other as one fully bound in fragile tape pleas message us to discuss.
“Portrait of a young lady (bride?)”, American miniature, 1860s
800×600 PLEASE READ SHIPPING DESCRIPTION CAREFULLY BEFORE BUYING! To learn more about us please click on our profile 800×600 Normal 0 21 false false false DE-AT X-NONE X-NONE MicrosoftInternetExplorer4 Provenance: US private collection Condition: good; in original gilt metal frame Creation Year: 1860s Measurements: UNFRAMED: 7.3cm x 5.4cm / 2.9in x 2.1in FRAMED: 9.5cm x 6.0cm / 3.7in x 2.4in Object Type: Framed miniature Style: Portrait Miniatures Technique: watercolor painting (almond shaped form) Inscription: – Creator: American School Creator Dates: – Nationality: American Themes:AMERICAN FEMALE PORTRAIT BIEDERMEIER YOUNG WOMAN SHIPPING OPTIONS: We ship priority registered regular Austrian mail within 48 hours after your purchase. Usually, shipping with regular Austrian mail takes 10-14 days (USA / Worldwide), 3-7days (Europe) and 1-2 days (Austria). Not depending on us (due to local customs, local post, etc) delivery may take longer. ***OBS: Austrian mail refunds cases of loss or damage with maximum EUR 500. 800×600 Normal 0 21 false false false DE-AT X-NONE X-NONE MicrosoftInternetExplorer4 The shipping cost here is for an external full insurance of the item!PROFESSIONALLY PACKED (by Mail Boxes Etc.) and fully insured (INCLUDES INSURANCE OF FRAME) expedited service is available upon request and subject to EXTRA CHARGES. Please contact us for customized quotes before buying. When contacting the seller please refer to item #44592 lunov23
c.1860s American Portrait & Rocker Civil War Widow Claire Hailer of Philadelphia
c.1860s American Portrait & Rocker Civil War Widow Claire Hailer of PhiladelphiaWe are offering This unique, early American oil portrait on canvas is of Claire Hailer, a Civil War Widow. She was a resident of Philadelphia, and her husband was killed at Salem Church, VA on May 3rd, 1863during the Battle of ChancellorsvilleThe frame is from Swain’s Gallery in the 1950-60’s as the label shows (see in photo): it probably was at this time the painting was cleaned and relined. (We find no over paint or tears.)The paperwork from the descendant (a very elderly man), had misspelled Hailer, and is seen in the photos.The details on this painting are gorgeous, and the lace of her bonnet is beautifully rendered,along with the quiet – yet resolute – expression on her face. Included with the portrait of Claire Hailer, is Claire Hailer’s rocker.The 1830’s Boston rocker still has its original paint. This rocker is unique for the fact that it is wide between the arms,made to order specifically for Mrs. Hailer, who may have had a hefty beam herself. Approx. Dimensions of Painting:Canvas Height: 30″Canvas Width: 25″Frame Height: 34 1/2″Frame Width: 29 1/2″Condition:Great condition, painting has been relined. No holes or losses to the paint.Please see all photos for details Approx. Dimensions of Rocker:Height: 41 1/2″Width: 25 1/4″Depth: 29 1/2″Deck Height: 14 1/2″Condition:Age related cracks, scuffs and wear to the paint. Most of original paint is still there. Please see all photos for details. ***The price of the item does not include shipping. We are able to obtain hassle free shipping quotes from various shippers. In order to obtain a shipping quote, please message us with your delivery zip code. Unless otherwise stated, all shipping is handled by third party companies which are in no way affiliates of our company. In most cases, shipping fees are paid directly to the shipper of your choice. Standard delivery time for freight items is approximately 3-6 weeks but can be much sooner at times. Please message us with your delivery zip code for a quote.***The exact skirmish which killed her husband is described below:General Wilcox moved his Alabama brigade from its position at Banks’ Ford to the Plank Road shortly after the Federals had captured Marye’s Heights. He then deployed his troops across the line of the Federal advance, three to four miles west of Fredericksburg, on either side of the Plank Road on a low wooded ridge. In Wilcox’s immediate front was a clearing where the Salem Church stood near the Plank Road. Behind the church was a schoolhouse. Wilcox posted his skirmish line about a mile east of his main line at a tollgate. By this time, McLaws’ and Mahone’s troops were coming into line behind the ridge, undetected by Northern observers. Wilcox extended his lines to overlap both Federal flanks.Brooks continued his advance at the head of Sedgwick’s marching column on the Plank Road. Sedgwick believed that he faced at most a brigade of infantry, since he had already ordered Brooks to brush aside any enemy troops in his front. At 3:25 p.m., the two Confederate guns posted at the tollgate opened fire at a distance of 800 yards. Brooks immediately deployed his men in battle formation on either side of the road, and the 2nd New Jersey was sent out in advance as a skirmish line. Two Federal batteries began answering Cobbs’ fire, and the Union line advanced, pushing the Rebel skirmishers back upon their main line.The Federals, confident that they would not meet with any stronger opposition, continued past the tollgate through the clearing and then entered the woods on either side of the road. To their shock, the Rebel battle line rose and fired upon them at point-blank range. When the Federals on the south side of the road came within range, two Alabama companies posted inside Salem Church and the schoolhouse also opened fire. The Union line halted at first, then swarmed around both buildings and pressed forward, capturing the Alabama troops as they went.At this point, Colonel Emory Upton led his green 121st New York Regiment in a charge upon the men of the 10th Alabama. As Upton moved forward, his horse was shot from under him, but he quickly sprang up and led his troops on foot. The 121st slammed into the Rebels, who soon broke for the rear. Two companies of the 8th Alabama, which was positioned alongside the 10th, faced to their left and fired into the New Yorkers’ flank, while the 9th Alabama, posted behind the 10th, rose up in line and fired into their front. The 9th Alabama countercharged and Upton’s regiment was smashed, losing 200 of its 453 men. As the 121st New York fell back, the 10th and 51st Georgia joined the 9th Alabama in the counterattack. The 14th Alabama threw in its weight as well, and the whole Federal line rolled back toward the tollgate, pressed hotly by the Confederate troops.The Federal artillery at the tollgate blasted the oncoming Southerners, first with shell and case shot, and then with canister as they got closer. The counterattack slowed, and the Confederates halted in their tracks, facing Union infantrymen who were poised and ready. Wilcox, seeing he could gain no more and that darkness was approaching, gave the order to fall back.(source: historynet)All California Residents must pay CA Sales Tax. LOC. HOUSE