EXTRAORDINARY POST IMPRESSIONIST LANDSCAPE NJ ARTIST GLORIA MERILSON 1926-2005
Signed lower left. (1926-2005). “SPRING IN COUNTRY “.
Shari Street Original Watercolor Painting “Women #9” Nude Ethereal BC Canada Art
Style: Ethereal, Bohemian, Art Nouveau Revival, Nude. 🔄 WHO WE ARE: Hello! Ashley & Justin here. Fair and Found was born and is a small but mighty startup that operates on the elbow grease and perseverance of just two regular human beans.
Bird of a Finger: is one that knows who loves them and loves to be close to them
This is a hand painted 14”x11” oil painting done with brush and pallet knife, on canvas board. It was painted during May of 2022. I’ve known people that loved birds and the birds love them too. I believe that is a special gift indeed.
Joann Côté Photogravure 27″ Silk Art Mother Daughter Parent Child Feminism Woman
Through a harmonious blend of materials and forms, Côté invites viewers to reflect on the fluid boundaries between mother and daughter, parent and child, emphasizing the continuous evolution of identity within the family unit.
Mary Myers Original Abstract Expressionism 11×14 UFO Canyon Little Green Signed
Signed: M. Myers. One-of-a-kind original artwork. New condition.
Expressionism NUDE FINE ART COLLECTIBLE WOMAN PORTRAIT Canvas 12×16
What appears on the canvas isreaction, not planning. One-of-a-Kind: Every piece ishandmade, raw, and unfiltered. Nothing is printed, copied, or mass-produced. ⚠️ WARNING: This Art May Not Be for Everyone.
Messa Art: Lesley Ann- 12×16 Abstract Expressionism Original Floral Art on Paper
You will find that the medium size looks good in rooms with standard ceiling heights.
Faris Art: Fear: Sketchbook: 7×7: Paper Unique Neo-Expressionism
This one-of-a-kind painting is handmade and signed by the artist, Jim Faris, who is well-known for their exquisite creations. STONEHENGE SKETCHBOOK! -Jim Faris. Gallery: Faris Art Studios. Faris Original Art.
THE BATHERS, BERNARD LANGLAIS, LISTED AMERICAN ARTIST
“THE BATHERS” Watercolor on paper 16” x 20 3/4” Gold frame: 25 1/4” c 32 1/4” Bernard LANGLAIS 1921-1977 BERNARD LANGLAIS BIOGRAPHY Bernard Langlais was born in Old Town, Maine. He showed an early proclivity for drawing and left Maine after high school to study commercial art at the Corcoran School of Art in Washington, D.C. He earned scholarships to the Skowhegan School of Painting and Sculpture and the Brooklyn Museum Art School, as well as a Fulbright Scholarship to study the paintings of Norwegian artist Edvard Munch in Oslo. Working in New York in the 1950s, Langlais developed a modernist painting style characterized by landscapes and still lifes with bold colors and flattened perspectives, while also experimenting with hard-edge abstraction and painterly expressionism. In 1956, while renovating his summer cottage in Cushing, Maine, Langlais was captivated by working with scraps of wood, which he arranged to create a mosaic-like wall composition. He termed the process “painting with wood” and emphatically abandoned oil painting to explore this new medium. His abstract wood reliefs immediately caught the attention of the New York art world and were included in the watershed exhibition New Forms–New Media at the Martha Jackson Gallery in 1960, in a solo exhibition at Leo Castelli Gallery in 1961, and at the Whitney Museum’s 1962 Drawing and Sculpture Annual. Despite his commercial success, by the mid-1960s Langlais became disenchanted by the pressures of New York gallery culture. Interested in working on a larger scale, he purchased a farmhouse in Cushing and moved permanently to his native state. In the last eleven years of his life, he constructed more than sixty-five monumental wood sculptures on the land around his home, including his best-known commission, the over seventy-foot-tall Indian for the town of Skowhegan, Maine. During this period he also produced a massive oeuvre of two- and three-dimensional works exploring the patterns, textures, and expressive powers of the animal kingdom. Late in his career, Langlais was the recipient of a Guggenheim Fellowship, an honorary degree from the University of Maine, and a Ford Foundation Purchase Award, among other accolades. Following his death in 1977 at the age of 56, memorial exhibitions of his work were shown at Maine Coast Artists in Rockport, Maine (now the Center for Maine Contemporary Art), and at the Farnsworth Art Museum in Rockland, Maine. In 2002, the Portland Museum of Art mounted Bernard Langlais: Independent Spirit, a survey of the artist’s work in wood. In 2014, the Colby College Museum of Art presented the exhibition Bernard Langlais, the first scholarly retrospective on the artist, accompanied by a 256-page, hardcover catalogue.
Messa Art: Inner Mosaic- Acrylic Cubism Neo Expressionism 11×14 Paper Signed Art
What stands out about the medium size is how it draws the eye without shouting.