“John Haynes Williams, Original Oil Painting on canvas, Signed,1860s, framed
Beautiful, John Haynes Williams (1836-1908) ORIGINAL , signed in lower left, Titled, “The Love Letter” painting is in very good condition, no damage or restoration, large Image (20×24) frame (26×31), from a Beverly Hills collector, purchased at auction in late 50s. See lot # in photo, original frame, needs touch up.
19th century English school -Flirting around Kids – Oil painting-c1860s
Oil painting on canvas -circa 1860s. canvas size 16×13″. in excellent condition.
Pierre Adrien Chabal Dussurgey Picturesque Country side Road-Oil Painting-c1860s
Pierre Adrien Chabal-Dussurgey was a French visual artist who was born in 1819. The artist died in 1902. oil painting on canvas -Signed. canvas size 17 x 22″. (1819 – 1902). Artist Biography.
c.1860s American Portrait & Rocker Civil War Widow Claire Hailer of Philadelphia
c.1860s American Portrait & Rocker Civil War Widow Claire Hailer of PhiladelphiaWe are offering This unique, early American oil portrait on canvas is of Claire Hailer, a Civil War Widow. She was a resident of Philadelphia, and her husband was killed at Salem Church, VA on May 3rd, 1863during the Battle of ChancellorsvilleThe frame is from Swain’s Gallery in the 1950-60’s as the label shows (see in photo): it probably was at this time the painting was cleaned and relined. (We find no over paint or tears.)The paperwork from the descendant (a very elderly man), had misspelled Hailer, and is seen in the photos.The details on this painting are gorgeous, and the lace of her bonnet is beautifully rendered,along with the quiet – yet resolute – expression on her face. Included with the portrait of Claire Hailer, is Claire Hailer’s rocker.The 1830’s Boston rocker still has its original paint. This rocker is unique for the fact that it is wide between the arms,made to order specifically for Mrs. Hailer, who may have had a hefty beam herself. Approx. Dimensions of Painting:Canvas Height: 30″Canvas Width: 25″Frame Height: 34 1/2″Frame Width: 29 1/2″Condition:Great condition, painting has been relined. No holes or losses to the paint.Please see all photos for details Approx. Dimensions of Rocker:Height: 41 1/2″Width: 25 1/4″Depth: 29 1/2″Deck Height: 14 1/2″Condition:Age related cracks, scuffs and wear to the paint. Most of original paint is still there. Please see all photos for details. ***The price of the item does not include shipping. We are able to obtain hassle free shipping quotes from various shippers. In order to obtain a shipping quote, please message us with your delivery zip code. Unless otherwise stated, all shipping is handled by third party companies which are in no way affiliates of our company. In most cases, shipping fees are paid directly to the shipper of your choice. Standard delivery time for freight items is approximately 3-6 weeks but can be much sooner at times. Please message us with your delivery zip code for a quote.***The exact skirmish which killed her husband is described below:General Wilcox moved his Alabama brigade from its position at Banks’ Ford to the Plank Road shortly after the Federals had captured Marye’s Heights. He then deployed his troops across the line of the Federal advance, three to four miles west of Fredericksburg, on either side of the Plank Road on a low wooded ridge. In Wilcox’s immediate front was a clearing where the Salem Church stood near the Plank Road. Behind the church was a schoolhouse. Wilcox posted his skirmish line about a mile east of his main line at a tollgate. By this time, McLaws’ and Mahone’s troops were coming into line behind the ridge, undetected by Northern observers. Wilcox extended his lines to overlap both Federal flanks.Brooks continued his advance at the head of Sedgwick’s marching column on the Plank Road. Sedgwick believed that he faced at most a brigade of infantry, since he had already ordered Brooks to brush aside any enemy troops in his front. At 3:25 p.m., the two Confederate guns posted at the tollgate opened fire at a distance of 800 yards. Brooks immediately deployed his men in battle formation on either side of the road, and the 2nd New Jersey was sent out in advance as a skirmish line. Two Federal batteries began answering Cobbs’ fire, and the Union line advanced, pushing the Rebel skirmishers back upon their main line.The Federals, confident that they would not meet with any stronger opposition, continued past the tollgate through the clearing and then entered the woods on either side of the road. To their shock, the Rebel battle line rose and fired upon them at point-blank range. When the Federals on the south side of the road came within range, two Alabama companies posted inside Salem Church and the schoolhouse also opened fire. The Union line halted at first, then swarmed around both buildings and pressed forward, capturing the Alabama troops as they went.At this point, Colonel Emory Upton led his green 121st New York Regiment in a charge upon the men of the 10th Alabama. As Upton moved forward, his horse was shot from under him, but he quickly sprang up and led his troops on foot. The 121st slammed into the Rebels, who soon broke for the rear. Two companies of the 8th Alabama, which was positioned alongside the 10th, faced to their left and fired into the New Yorkers’ flank, while the 9th Alabama, posted behind the 10th, rose up in line and fired into their front. The 9th Alabama countercharged and Upton’s regiment was smashed, losing 200 of its 453 men. As the 121st New York fell back, the 10th and 51st Georgia joined the 9th Alabama in the counterattack. The 14th Alabama threw in its weight as well, and the whole Federal line rolled back toward the tollgate, pressed hotly by the Confederate troops.The Federal artillery at the tollgate blasted the oncoming Southerners, first with shell and case shot, and then with canister as they got closer. The counterattack slowed, and the Confederates halted in their tracks, facing Union infantrymen who were poised and ready. Wilcox, seeing he could gain no more and that darkness was approaching, gave the order to fall back.(source: historynet)All California Residents must pay CA Sales Tax. LOC. HOUSE
Portrait of a Gentleman -American Civil War Oil painting c.1860s
Circa 1860s. oil painting on board -unsigned. A beautiful piece that will add to your décor! board size 7 x 9″.
Cornelis Van Leemputten [Cornelius Van Lemputten] Agrarian Landscape 1860s
We offer a painting by the Belgian artist Cornelis Van Leemputten (1841-1902). It is an oil on 8 3/4″ x 12 1/2″ chamfered mahogany panel with the signature at the bottom right. It is likely in it’s original gilded 18″ x 21 1/4″ cove frame. With his typical highly refined folk approach, Van Leemputten depicts this happy flock of domesticated fowl on a small footbridge on a hill overlooking a village. Though largely self-taught, his work shows his academic influences including the 17th century Dutch artist Paulus Potter, and the work of his contemporary, the French artist Charles-Emile Jacque 1813-1894. Condition: The painting is in very good untouched condition. It has faint craquelure and a few very small areas of paint loss in the sky. The frame is in good condition with some scattered chips on the outer ridge of the frame and part of the ornamentation at the bottom right corner is missing. Shipping Notes: We ship same day via USPS upon receipt of payment before 3 PM. Payments received Monday-Friday (after 3 PM) will be shipped the next morning. Payments received after 3 PM on Fridays and on Saturdays & Sundays will be shipped no later than the following Monday morning. A note about packing: Check our feedback. We take pride in our excellent packing. We double-box all fragile items to insure their safe journey through the postal system. This sometimes means it costs a little more to ship your item, but you can rest assured that it will arrive in one piece. International Buyers Please Note: Import duties, taxes and charges are not included in the item price or shipping charges. These charges are the buyer’s responsibility. Please check with your country’s customs office to determine what these additional costs will be prior to bidding/buying. These charges are normally collected by the delivering freight (shipping) company or when you pick the item up; do not confuse them for additional shipping charges. We do not mark merchandise values below value or mark items as “gifts” – US and International government regulations prohibit such behavior.
19th century portrait of an American Sailing Ship- Oil painting -c1860s
Welcome to my ebay store !Primarily searching for the “Unique & Rare” by dealing with some of the finest acquisitions and consignments of Prominent California Estates, Large Collections and Celebrity homes from Santa Barbara, Beverly Hills, Bell Air, Hollywood Hills,Los Feliz,Malibu, Pasadena, San Marino, Newport Beach, La Jolla and most of the best locations of the fabulous West Coast offering here is a 19th century portrait of an American Sailing Ship- Oil painting -c1860s Oil painting on canvas-circa 1860s frame size 49 x 36″Canvas size 30″ H x 44″ W A beautiful piece that will add to your décor! in excellent condition Please check all the photosyou may click on it to enlarge Images
DIXON SIGNED ANTIQUE EARLY CALIFORNIA PAINTNG LANDSCAPE MILL VALLEY CREEK 1860’S
Samuel CollectionNo Reserve Fine Art AuctionsOverview: 1860’S TO 1880’S OIL ON CANVAS . ANY HELP ON ARTISTS FULL NAME? I WAS TOLD THIS WAS MAYNARD DIXONS FATHER. I HAVE NOT CONFIRMED. PAINTING NEEDS RESTORATION. OLD SLOPPY PATCHES AND TOUCH UPS. NEEDS PUNCTURES PROPERLY REPAIRED. SOME CRACKLE AS SHOWN. SOLD AS A RESTORATION PROJECT. A HISTORIC AREA THAT HAS CHANGED NAMES OVER TIME. ARTIST UNKNOWN. ANY HELP IS APPRECIATED. FRAME HAS MILD WEAR. See photos. Measurements: IMAGE SIZE 12 BY 18 INCHES . FRAMED 20 BY 26 INCHES Thank you for visiting!!!Payment:· Payment is DUE within 48 HOURS of the auction’s closing.· BUY IT NOW payment is DUE IMMEDIATELYCalifornia residents add 8.75% state sales taxSamuel Collection:· Be sure to visit our store!!! Most bids start at $12 with no reserve! New items every day! We do accept returns under certain circumstances. However, the buyer will be charged a 25% restocking fee. No exceptions. · We can combine “like” items for shipping discounts but the combined shipping window is 3 DAYS MAX.Shipping: .· Alaska & Hawaii buyers: shipping costs are unavoidably higher to your areas.· Our primary shipping company is UPS. Secondary is USPS for PO BOX deliveries. If possible, avoid PO BOX deliveries or tell your PO BOX provider you want to accept UPS deliveries. Then update your shipping address to reflect not only the PO BOX but also the street address to your PO BOX Office.· The SHIPPING COST REFLECTS POSTAGE, PACKAGING MATERIALS, INSURANCE, & HANDLING. Please check the eBay automated shipping calculator with your zip code for estimated pricing. Actual shipping costs are subject to change.Packaging:· We do not profit from shipping. If shipping costs seem high, bare in mind this is art work & usually one of a kind so we package well to protect what you buy. A highly trained & very well paid professional custom packages every shipment by hand using high quality materials. This is why we very rarely see damaged shipments. Please understand the reason for the cost as negative feedback on this topic is not deserved and hurts the business.WHEN BIDDING ON ANY ITEM, THE BUYER AGREES TO THESE TERMS.
Oil painting still life plants insects Dandelion-Barbara-Regina-Dietzsch canvas
This is not a print, it is 100% hand painted oil painting on canvas. It is a high quality oil painting. The colors are long-lasting and of collector-grade quality. This painting is the original work.
NY Firefighter Scene – “Hanging Out In Firehouse Kitchen” – By Bill Bresnan
Another beautiful painting by Bill Bresnan. “. Like they say, when a family sits together at the kitchen table it brings them closer together. We solved the world’s problems here, put each other in our places here, told fire stories here.