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Item Tag: Mexican

Mexican Art 15 1/2″ X 12″ Amate Bark Painting Hand painted Folk art Bull Riding

This 15 1/2″ x 12″ Mexican art piece is a hand-painted folk art Amate bark painting, depicting themes of bull riding, Mexican culture, landscape, community life, and family. Made of paper with an acrylic painting technique, this one-of-a-kind artwork showcases vibrant colors and unique designs typical of Mexican art. Originating from Mexico, this contemporary piece captures the essence of Mexican traditions and lifestyle, making it a striking addition to any art collection.

Mexican Folk Art David Mecalco Skull With Restless Birds Still Life Watercolor

This is a magical piece of folk art imported from Mexico City where it was made by the outside art master, David Mecalco. It’s one of his enigmatic watercolors ~ this one featuring photos and painting ~ this one featuring a skull and agitated birds. It has been created on a thick paper that measures approximately 19” in height by 15” in width and shipping is estimated at $15.00. There are slight tears at the edges from time and handling so I am offering this at a discounted rate. David’s art work is represented in museums and collections worldwide and UCLA featured him in a prominent exhibit at the Fowler Museum. All auctions are unconditionally guaranteed and proceeds benefit our animal sanctuary in Northern Arizona, Little Orphan Animals. Thank you for your support!

ANTIQUE MODERN CALIFORNIA ALVERA STREET LANDSCAPE OIL PAINTING OLD LOS ANGELES

IMPORTANT ANTIQUE MODERN EL PUEBLO DE LOS ANGELES LANDSCAPE IMPRESSIONIST OIL PAINTING ON BOARD DEPICTING THE HISTORIC ALVERA STREET, A VIBRANT AND COLORFUL OUTDOOR MARKETPLACE IN LOS ANGELES, CA. THE ARTIST SKILLFULLY CAPTURES THE SCENE'S ESSENCE WITH ABSTRACT FIGURES ENGAGED IN DAILY LIFE ON ALVERA STREET. BASKETS OVERFLOWING WITH FRUITS, VEGETABLES, AND OBJECTS CREATE A LIVELY CONTRAST UNDER THE WHITE TINTS. IN THE BACKGROUND, IMPORTANT HISTORICAL LOS ANGELES BUILDINGS STAND TALL, THEIR ARCHITECTURAL DETAILS HINTED AT. THE COMPOSITION BEAUTIFULLY BLENDS THE RICHNESS OF CULTURAL ELEMENTS, OFFERING A CAPTIVATING GLIMPSE INTO EVERYDAY LIFE AND THE HISTORICAL SIGNIFICANCE OF THE ALVERA STREET MARKETPLACE. SIMPLY AMAZING. THIS WORK IS SIGNED IN THE LOWER RIGHTHAND CORNER. PERHAPS YOU RECOGNIZE THE ARTIST? IT DATES AROUND THE 1960s. GOOD OVERALL CONDITION. MILD SCRATCHES TO THE FRAME AS SHOWN. IT DOES NOT DETRACT FROM ITS BEAUTY IN ANY WAY. DIMENSIONS: 36” H x 46” W Olvera Street is one of the oldest streets in the City of Los Angeles and was originally a very short lane known as Calle de las Vignas or Wine Street. In 1877, the City Council changed the name to Olvera Street in honor of Agustin Olvera, the first judge of the County of Los Angeles. The colorful Mexican marketplace opened on Easter Sunday, April 20, 1930, following a preservation campaign that was spearheaded by Christine Sterling. Several of LA's most historic buildings are located along the tree-shaded, brick-lined block, as well as dozens of Olvera Street shops, restaurants and other businesses. Los Angeles did not begin with the Spaniards; it was settled under a different name by the Gabrieleno/Tongva Nation, aborigines who were established centuries before King Carlos the III of Spain ordered his countrymen to come to Southern California. Following the king’s orders, 11 Mexican families settled El Pueblo de Los Angeles in 1781. Olvera Street is the oldest part of Downtown Los Angeles, and although some call it “the birthplace of Los Angeles,” in reality—well, it’s close. Originally near vineyards and a winery, the street was called either Wine Street or Vine Street (depending on which 19th Century map you look at, or whether wine had been spilled on half the “W” in “Wine”). In 1818, the Avila Adobe was constructed, now the oldest existing house in the city. In 1877, Wine/Vine Street was officially changed to Olvera in honor of the county’s first judge, Agustin Olvera, who lived on the street. The turn of the century brought with it neglect, decay and disrepair. With the neglect came the city’s forgotten, the poor working immigrants. Many of the city’s unemployed gathered in the plaza, and it became a hotbed of radical politics. Revolutionary icons such as anarchist Emma Goldman and Sun Yat-Sen, “the father of modern China,” spoke there. But the street continued its downward spiral of neglect. Some referred to it as “Sonora Town,” reflecting the Mexican state of origin of most of Los Angeles' founders. Enter Christine Sterling, a wealthy, young, well-connected socialite from Northern California with a hunger for history. When Christine first discovered Olvera Street in 1926, she was shocked by the dilapidated condition of the oldest part of the city. Where once had stood the city’s finest buildings and cultural center was now a hideaway for prostitutes and street crime. Old Olvera Street had a date with the bulldozers, but Christine would have none of that. She envisioned a Mexican Marketplace and a cultural center in the heart of Los Angeles to preserve the memory of old L.A. Christine’s romantic vision brought Los Angeles’ first street back to life and brought in Mexican American merchants to sell their wares, artifacts and celebrate their fiestas as they would in old Mexico. The Avila Adobe and most of the other 26 surrounding structures were ticketed for demolition. Christine campaigned for favorable press from the Los Angeles Times, and with that came help investors and government agencies (including the Sheriff’s Department, which provided prisoners for labor). Her dream of closing the street to automobile traffic and opening a Mexican village came to fruition on Easter Sunday, 1930. Today, the 44-acre El Pueblo Historic Park is a colorful Mexican marketplace lined with street vendors, cafes, restaurants and gift shops selling handcrafted goods, Mexican folk art, and the expected tourist items made in China. There are 27 historic buildings with a traditional Mexican style plaza area. Tourists, celebrities, politicians and dignitaries from around the world wander around the marketplace smelling the ever-present taquitos and tacos at the outdoor cafes and listening to the strolling mariachi music, and dance performances by Aztecs and Mexican folkloric dancers on weekends. Olvera Street hosts the city's first church, firehouse and theater, in addition to the Avila Adobe and other historic sites and residences, roughly outlined by Alameda and Hill streets, Cesar E. Chavez Avenue and the 101 (Hollywood Freeway). On the south side of the Plaza is the Pico House. Pio Pico was the last Mexican governor of California (1845-46) and his house was the first hotel in the city. In its center lies the old plaza, the symbolic heart of Los Angeles.

Oil Painting Servin Painting On Burlap Of Little Girl Holding A Fish

The product is an original oil painting by Mexican artist Jose Maria De Servin, depicting a little girl holding a fish while serving as a folk art piece. The painting is done on burlap and is framed, making it a unique and authentic artwork from the 1960s. The subject matter reflects a theme of cultures and ethnicities, showcasing a traditional Mexican scene with a touch of storytelling and charm. This handmade piece would make a great addition to any art collection, showcasing the rich cultural heritage of Mexico through the artist’s skill and style.

VTG Miniature Piñata Painting by Domingo Block Original Handmade in Mexico 1992

**Please read description, check measurements if applicable, and see pictures as I do Not take returns** **Please ask questions if needed. Thank you.** This was purchased years ago and stored away in a box. It was never displayed. Made in 1992. About 4” long and a little over 4.5” high. The metal frame has some signs of aging. The back has marks and is numbered. This is how it was when it was purchased. Pictures are part of the description.