Work Boat & World War 2 Dogfight W/C Paintings-1960s/70s-Israel Louis Winarsky

This is an 22 by 30 inch watercolor painting on both sides of the paper, one side showing boat workers and the other side showing a World War 2 dogfight. It was done around the 1960s or 1970s by listed New Jersey artist Israel Louis Winarsky. It was part of his estate that I bought directly from the estate. It has an estate stamp on back. The painting is in excellent condition with no issues. The photos tell the story. It will be shipped for $30 via UPS or USPS. Known to few in his lifetime, Israel Louis Winarsky epitomizes the discovery of a significant Newark, New Jersey artist. Born in Newark in 1930 of Jewish descent, “Lou” passed his childhood living with his family above his father’s butcher shop first located at 295 and then at 372 Hunterdon Street. His artistic journey began with a gift of crayons, his first childhood memory. He soon became enamored of oils, pastels, watercolors and charcoal. Winarsky attended the local public schools. Between 1944 and 1947, while working part time as a sign painter, he carried on his education at Weequahic High School. Afterwards, he enrolled at the Newark School of Fine & Industrial Art during the early directorship days of Henry Gasser(1946-1954) and was a student of Samuel Brecher. Later in life he spoke often to his family about Brecher whom Winarsky considered a friend. In 1951 he earned a B.A. in physics from the University of Chicago and then enlisted in the Air Force, serving some time in Korea as a radioman. In 1961, having painted continuously for over ten years, he traveled around Europe on a motor skooter. In France, Italy and Israel he embraced the people, culture and art and recorded some of his thoughts in letters sent back home to his family. Winarsky said of himself, “If you want to know who I am, look at my art, my music and my books.” While music and books were part of Winarsky’s identity, art was his calling. The paintings and drawings of Winarsky reflect emotion, exuberance and insightful character portrayal. His subject matter ranges from powerful holocaust evocations to jubilant nature and urban interpretations to character explorations. The tragic empathy and gravity that are evident in his Semetic character ensembles are counterbalanced by the uplifting vitality of his colorful landscapes, cityscapes, still lives, and harbor scenes. Most of his best oil paintings are vibrant expressions of color and form that resonate beauty and probity. Appropo of Winarsky’s varyingly dynamic, often pure and sometimes quasi-geometric use of color, one could wonder about Oscar Bluemner’s influence on Winarsky’s vision. Much of Winarsky’s work could be viewed stylistically as that of an American Colorist in the modified tradition of Bluemner with whose work and color theories Winarsky probably was familiar. Many of Winarsky’s landscape paintings fit/pictorially express Bluemner’s notion:“Whatever inner impulse we address towards nature is abstract. Thus, a landscape, as a motive for expression,undergoes a free transformation from objective reality to a subjective realization of personal vision.” *Oscar Bluemner: American Colorist, p.23, Fogg Museum, October 11-November 15, 1967) Moreover, Winarsky’s frequent use of simplified masses in landscapes reflects the influence of both Marsden Hartley and as well as that of Oscar Bluemner. Combining his preoccupations with World War II history and military aircraft design, Winarsky also painted many watercolors of aerial combat, missions and sorties. Winarsky was not devoured by the holocaust horror but was indelibly touched by its human lesson. As a result it seems he was emancipated to appreciate the beauty of life and art more not less because of its occurrence. His style was variably expressionist and impressionist with a modernist flair and a representational base that gave his work multiple facets. His palette was zestful, his compositions bold and forthright and oftentimes quite complex. Winarsky, as do most successful artists, has left us with a pictorial range of his interests, attitudes and favorite subject matter in a expressive and effective manner. Appropo of his modernist approach, Winarsky did not try to record the literal but rather sought to transform it. His subject matter, whether it was a still life, a figure or a landscape, was channeled through his transformative sensibilities with an often cogent result. Perhaps his greatest gift was that he was a committed and imaginative colorist whose vision was authentic, personal and accessible. Winarsky had no other non-service residence other than his family home until 1965. He then married Bernice Kurman and moved to Eastern Parkway in Newark before settling permanently three years later at 299 Short Hills Avenue in Springfield, N.J. , a home on a wooded lot that served as a refuge, studio and subject for Winarsky. He supported his wife, his son & his daughter by working in research and development at Squibb/Bristol Meyers. Despite his more public life in science, privately he was constantly immersed in his lifelong growth as an artist. Winarsky died of a heart attack in his Springfield home in June of 2006, leaving a large inventory of his passion and vision intact. Israel Louis Winarsky should be remembered for his beautiful impressionistic and expressionistic landscapes, his holocaust depictions, his urban portrayals, his colorful still lives, his harbor renderings and his expressionistic character interpretations, all of which secure a place for him among New Jersey’s most remarkable 20th century artists.

GEORGE FORD MORRIS THOROUGHBRED WINNER OF KING GEORGE CUP “PRINCE CHARMING II “

GEORGE FORD MORRIS EDWARD V. QUINN’S CHAMPION THOROUGHBRED HUNTER WINNER OF KING GEORGE CUP “PRINCE CHARMING II ” 1937. An outstanding equine artist, George Ford Morris (1873-1960) painted portraits of horses for more than seventy years.

1960’s HJ (BER) MENGELS DUTCH CUBIST Sd ORIG PORTRAIT O/C GUITAR PLAYER FRAMED!

Hubertus Johannes (Ber) Mengels (1921-1995). This exquisite artwork – a (Portrait of a Passionate Male Acoustic Guitar player and singer) you are about to bid on is an Original Oil on Canvas. Signed, on lower right, by the Listed Dutch artist. This piece conveys Mengels’ ability to paint the ordinary with a love and understanding that transforms the everyday into the sublime. Boldly Expressionistic, Deeply Emotional – a Powerful use of Cubism, crafted with incredibly thick brushstrokes and painted layers, this painting would truly be a magnificent addition to any collection. Mengels’ art hangs at the Hague Museum and a book on his work was published in 2004, thus this work has incredible investment potential. Don’t let the starting price mislead you as to the actual value of this investment grade artwork. Mengels’ current auction records, verify that his work is sure to appreciate greatly in the future (source: Artprice.com). 3 1/4″ Wide, 1 5/8″ Deep Dark Brown/Green Step Paneled moulding – flat panel on outside edge, 2 linear steps and another panel with stepped/angled inner lip – is included complimentary in this listing. Original Oil on Canvas measures 24 X 30 and is in Good to Very Good condition.Outside measure of the frame is 30 X 36 and is in Good to Very Good condition.Please carefully examine all images for condition. No Reserve. Combined Shipping Discount Policy: 20% off all combinable items. Check out our other artwork auctions. You never know what gems you might find!!! No International Shipping. Continental Shipping Only (Contiguous U.S. 48 States). Alaska & Hawaii may increase shipping charge. All returns must be pre-approved. Full refund if item is not as described. Apologies but NYS residents must pay 8.875% NYS sales tax. Payment expected 3 days after end of auction or the item’s will be re-listed. We reserve the right to remove glass/frame from the Artwork to Protect Artwork from damage and/or decrease shipping charges. Each & Every Day We Strive for 5 ☆’s. Please contact us if you feel we have not achieved the full 5 ☆’s as 110% Customer Satisfaction is our mission!

1960’s HJ (BER) MENGELS DUTCH CUBIST Sd ORIG FAMILY ELDER w/ GUITAR O/C FRAMED!

Listed Dutch Artist Hubertus Johannes (Ber) Mengels (1921-1995), Signed, on lower right, this Family/Campsite scene. This exquisite artwork is an Original Oil on Canvas. This piece conveys Mengels’ ability to paint the ordinary with a love and understanding that transforms the everyday into the sublime. Boldly Expressionistic, Deeply Emotional – a Powerful use of Cubism, crafted with incredibly thick brushstrokes and painted layers, this painting would truly be a magnificent addition to any collection. It depicts a peasant family that performs for a living. Eldest man, at left has his guitar while his son? trains a ‘dancing’ bear. Women take care of the campsite and tent, behind them. Mengels’ art hangs at the Hague Museum and a book on his work was published in 2004, thus this work has incredible investment potential. Don’t let the starting price mislead you as to the actual value of this investment grade artwork. Mengels’ current auction records, verify that his work is sure to appreciate greatly in the future (source: Artprice.com). 3″ Wide, Carved Gold and Black scoop moulding with a gold lip on the inside.Canvas measures 20 X 24. Canvas is in Very Good Vintage condition.Outside of frame measures 25 1/4 X 29 1/4. Frame is in Good Vintage condition with a few minor scuffs. Please carefully examine all images for condition. Combined Shipping Discount Policy: 20% off all combinable items. Check out our other artwork auctions. You never know what gems you might find!!! No International Shipping. Continental Shipping Only (Contiguous U.S. 48 States). Alaska & Hawaii may increase shipping charge. All returns must be pre-approved. Full refund if item is not as described. Apologies but NYS residents must pay 8.875% NYS sales tax. Payment expected 3 days after end of auction or the item’s will be re-listed. We reserve the right to remove glass/frame from the Artwork to Protect Artwork from damage and/or decrease shipping charges. Each & Every Day We Strive for 5 ☆’s. Please contact us if you feel we have not achieved the full 5 ☆’s as 110% Customer Satisfaction is our mission!

Blimp In Flight over a Village Fauvist/Expressionist Painting-60s-I.L. Winarsky

As a New Jersey painters specialist who offers on eBay the most diverse array of New Jersey’s most highly regarded iconic artists as well as some of the more obscure but significant and deserving past painters including Henry Gasser, Bernard Gussow, John Grabach, Armando Sozio, James Carlin, Gar Sparks, Frank Zuccarelli, Adolf Konrad, Gustave Cimiotti, etc., I am now offering this vibrantly colored and enigmatic 16 by 20 inch Fauvist/Expressionist oil painting on masonite depicting a modernist village and landscape with a blimp/zeppelin in the sky and done by listed New Jersey artist Israel Louis Winarsky (1930-2006). It is a terrific painting. It is in excellent condition. It is unsigned. Estate stamp verso. It comes with NO frame. The one shown is for display purposes only!! It will be shipped for $20 via UPS or USPS. Known to few in his lifetime, Israel Louis Winarsky epitomizes the discovery of a significant Newark, New Jersey artist. Born in Newark in 1930 of Jewish descent, “Lou” passed his childhood living with his family above his father’s butcher shop first located at 295 and then at 372 Hunterton Street. His artistic journey began with a gift of crayons, his first childhood memory. He soon became enamored of oils, pastels, watercolors and charcoal. Winarsky attended the local public schools. Between 1944 and 1947, while working part time as a sign painter, he carried on his education at Weequahic High School. Afterwards, he enrolled at the Newark School of Fine & Industrial Art during the early directorship days of Henry Gasser(1946-1954) and was a student of Samuel Brecher. Later in life he spoke often to his family about Brecher whom Winarsky considered a friend. In 1951 he earned a B.A. in physics from the University of Chicago and then enlisted in the Air Force, serving some time in Korea as a radioman. In 1961, having painted continuously for over ten years, he traveled around Europe on a motor skooter. In France, Italy and Israel he embraced the people, culture and art and recorded some of his thoughts in letters sent back home to his family. Winarsky said of himself, “If you want to know who I am, look at my art, my music and my books.” While music and books were part of Winarsky’s identity, art was his calling. The paintings and drawings of Winarsky reflect emotion, exuberance and insightful character portrayal. His subject matter ranges from powerful holocaust evocations to jubilant nature and urban interpretations to character explorations. The tragic empathy and gravity that are evident in his Semetic character ensembles are counterbalanced by the uplifting vitality of his colorful landscapes, cityscapes, still lives, and harbor scenes. Most of his best oil paintings are vibrant expressions of color and form that resonate beauty and probity. Appropo of Winarsky’s varyingly dynamic, often pure and sometimes quasi-geometric use of color, one could wonder about Oscar Bluemner’s influence on Winarsky’s vision. Much of Winarsky’s work could be viewed stylistically as that of an American Colorist in the modified tradition of Bluemner with whose work and color theories Winarsky probably was familiar. Many of Winarsky’s landscape paintings fit/pictorially express Bluemner’s notion:“Whatever inner impulse we address towards nature is abstract. Thus, a landscape, as a motive for expression, undergoes a free transformation from objective reality to a subjective realization of personal vision.” *Oscar Bluemner: American Colorist, p.23, Fogg Museum, October 11-November 15, 1967) Moreover, Winarsky’s frequent use of simplified masses in landscapes reflects the influence of Marsden Hartley as well as that of Oscar Bluemner. Combining his preoccupations with World War II history and military aircraft design, Winarsky also painted many watercolors of aerial combat, missions and sorties. Winarsky was not devoured by the holocaust horror but was indelibly touched by its human lesson. As a result it seems he was emancipated to appreciate the beauty of life and art more not less because of its occurrence. His style was variably expressionist and impressionist with a modernist flair and a representational base that gave his work multiple facets. His palette was zestful, his compositions bold and forthright and oftentimes quite complex. Winarsky, as have most successful artists, has left us with a pictorial range of his interests, attitudes and favorite subject matter in a expressive and effective manner. Appropo of his modernist approach, Winarsky did not try to record the literal but rather sought to transform it. His subject matter, whether it was a still life, a figure or a landscape, was channeled through his transformative sensibilities with an often cogent result. Perhaps his greatest gift was that he was a committed and imaginative colorist whose vision was authentic, personal and accessible. Winarsky had no other non-service residence other than his family home until 1965. He then married Bernice Kurman and moved to Eastern Parkway in Newark before settling permanently three years later at 299 Short Hills Avenue in Springfield, N.J. , a home on a wooded lot that served as a refuge, studio and subject for Winarsky. He supported his wife, his son & his daughter by working in research and development at Squibb/Bristol Meyers. Despite his more public life in science, privately he was constantly immersed in his lifelong growth as an artist. Winarsky died of a heart attack in his Springfield home in June of 2006, leaving a large inventory of his passion and vision intact. Israel Louis Winarsky should be remembered for his beautiful impressionistic and expressionistic landscapes, his holocaust depictions, his urban portrayals, his colorful still lives, his harbor renderings and his expressionistic character interpretations, all of which secure a place for him among New Jersey’s most remarkable 20th century artists.

Redheaded Woman Series – “In Distress” Original Figurative | Matt Zedler $33,000

Original Figurative || Matt Zedler “Redheaded Woman Series, In Distress” $33,000.00Original Figurative || Matthew Zedler “Redheaded Woman Series, In Distress” This piece was created using Oil Stick, Oil Pastel, Oil, and Acrylic on a 24 x 30″ on Canvas. For further information on this work and the entire ongoing “Redheaded Woman Series,” please visit www.zedlerfineart.com Carpe Diem, Matt Zedler To view or inquire about this work visit: Websites: www.zedlerfineart.com & www.matthewzedlerfineart.com

Stone Wall Winter 33×37 in. Acrylic, Mixed-media John Maziarz, American Artist

He received his Art Masters from Columbia University in New York City. Maziarz was both the artist-in-Residence and art Teacher at Mount Greylock School, Williamstown, MA., from 1961 to 1999. During this period he regularly exhibited his art in Berkshires and throughout New England.

Item Tag: Medium (up to 36in.)