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Item Tag: Medium (Up to 30in.)

SEASCAPE ORIGINAL OIL PAINTING OF TALL SAIL SHIP & BIRDS BY TEILLER

This beautiful painting is an original creation by artist Teiller. The scene depicts a serene seascape with a sail ship and birds in the sky. The artwork is done with oil on canvas and is framed to enhance its beauty. The painting is signed by the artist and is a medium size piece, measuring up to 30 inches. It was created between 1970-1989 and is a great addition to any art collection. The impressionist style and nautical theme make it a unique piece that will impress any viewer.

1937 American Arts & Crafts Impressionist Summer Stream Landscape WC Painting

The painting is a watercolor on paper. It depicts a tree lined stream in subtle earthy tones of green, blue and yellows. The painting is signed lower left “M7MP 1937”. The painting is floated upon a mat with outer mat and simple wooden molding frame with protective glass front. Overall displays very nicely, great painting to decorated in the Arts & Crafts style. Measures; painting 10″ x 13″, framed 19 1/4″ x 22 1/4″ .

Three Men Sitting at a Table Fauvist Oil Painting-C. 1955-Israel Louis Winarsky

As a New Jersey painters specialist who offers on eBay the most diverse array of New Jersey’s most highly regarded iconic artists as well as some of the more obscure but significant and deserving past painters including Henry Gasser, Bernard Gussow, John Grabach, Armando Sozio, James Carlin, Gar Sparks, Frank Zuccarelli, Adolf Konrad, Gustave Cimiotti, etc, I am now offering this wonderful 8 1/4 by 10 1/2 inch circa 1955 Fauvist oil painting on paper of three men sitting at a table and painted by Israel Louis Winarsky with exuberant color. It reminds one of the German Expressionists and the Fauves. It is not signed. It has the estate stamp on back. It was one of the many paintings of the artist’s estate that I acquired directly from the estate. It is in very good condition. See the above condition report as well as the photos one of which shows two chips to the bottom border of the paper. It was painted on paper and the paint was fairly thickly applied so the paper is delicate and should be handled with care. It would benefit by being dry-mounted or wet-mounted so that the integrity of the piece might be more easily preserved. It will be shipped for $22 via UPS. See the photos. Known to few in his lifetime, Israel Louis Winarsky epitomizes the discovery of a significant Newark, New Jersey artist. Born in Newark in 1930 of Jewish descent, “Lou” passed his childhood living with his family above his father’s butcher shop first located at 295 and then at 372 Hunterdon Street. His artistic journey began with a gift of crayons, his first childhood memory. He soon became enamored of oils, pastels, watercolors and charcoal. Winarsky attended the local public schools. Between 1944 and 1947, while working part time as a sign painter, he was a student at Weequahic High School. Afterwards, he enrolled at the Newark School of Fine & Industrial Art during the early directorship days of Henry Gasser(1946-1954) and was a student of Samuel Brecher. Later in life he spoke often to his family about Brecher whom Winarsky considered a friend. In 1951 he earned a B.A. in physics from the University of Chicago and then enlisted in the Air Force, serving some time in Korea as a radioman. In 1961, having painted continuously for over ten years, he traveled around Europe on a motor scooter. In France, Italy and Israel he embraced the people, culture and art and recorded some of his thoughts in letters sent back home to his family. Winarsky said of himself, “If you want to know who I am, look at my art, my music and my books.” While music and books were part of Winarsky’s identity, art was his calling. The paintings and drawings of Winarsky reflect emotion, exuberance and insightful character portrayal. His subject matter ranges from powerful holocaust evocations to jubilant nature and urban interpretations to character explorations. The tragic empathy and gravity that are evident in his Semitic character ensembles are counterbalanced by the uplifting vitality of his colorful landscapes, cityscapes, still lives, and harbor scenes. Most of his best oil paintings are vibrant expressions of color and form that resonate beauty and probity. Apropos of Winarsky’s varyingly dynamic, often pure and patterned, sometimes quasi-geometric use of color, one could wonder about Oscar Bluemner’s influence on Winarsky’s vision. Much of Winarsky’s work could be viewed stylistically as that of an American Colorist in the modified tradition of Bluemner with whose work and color theories Winarsky probably was familiar. Many of Winarsky’s landscape paintings fit/pictorially express Bluemner’s notion: “Whatever inner impulse we address towards nature is abstract. Thus, a landscape, as a motive for expression, undergoes a free transformation from objective reality to a subjective realization of personal vision.” *Oscar Bluemner: American Colorist, p.23, Fogg Museum, October 11-November 15, 1967) Moreover, Winarsky’s frequent use of simplified masses in landscapes reflects the influence of both Marsden Hartley and as well as that of Oscar Bluemner. Combining his preoccupations with World War II history and military aircraft design, Winarsky also painted many watercolors of aerial combat, missions and sorties. Winarsky was not devoured by the holocaust horror but was indelibly touched by its human lesson. As a result it seems he was emancipated to appreciate the beauty of life and art more not less because of its occurrence. His style was variably expressionist and impressionist with a modernist flair and a representational base that gave his work multiple facets. His palette was zestful, his compositions bold and forthright and oftentimes quite complex. Winarsky, as do most successful artists, has left us with a pictorial range of his interests, attitudes and favorite subject matter in an expressive and effective manner. Apropos of his modernist approach, Winarsky did not try to record the literal. He sought to transform it. His subject matter, whether it was a still life, a person or a landscape, was channeled through his transformative sensibilities with an often cogent result. Perhaps his greatest gift was that he was a committed and imaginative colorist whose vision was authentic, personal and accessible. Winarsky had no other non-service residence other than his family home until 1965. He then married Bernice Kurman and moved to Eastern Parkway in Newark before settling permanently three years later at 299 Short Hills Avenue in Springfield, N.J. , a home on a wooded lot that served as a refuge, studio and subject for Winarsky. He supported his wife, his son & his daughter by working in research and development at Squibb/Bristol Meyers. Despite his more public life in science, privately he was constantly immersed in his lifelong growth as an artist. Winarsky died of a heart attack in his Springfield home in June of 2006, leaving a large inventory of his passion and vision intact. Israel Louis Winarsky should be remembered for his beautiful impressionistic and expressionistic landscapes, his holocaust depictions, his urban portrayals, his colorful still lives, his harbor renderings and his expressionistic character interpretations, all of which secure a place for him among New Jersey’s most remarkable 20th century artists.

Paul Ambille b.1930-d. 2010 French Master GOLD Awards Prizes shop Studio TORNO

From Wikipedia: Paul Gaston Jean-Michel Ambille, born 23 December 1930 in Béziers (Hérault), and death 5 July 2010 in Arette (Pyrénées-Atlantiques), is a French painter. Purchased at a fine Saint Louis Estate Sale full of Fine Art. David B. Findlay New York Gallery Label reverse with Title “Le Chapeau de Paille” also the title of a famous painting by Peter Paul Rubens, see photos. Favorite Paul Ambille painting from a French Master. Many, many Awards for this artist. Work in Major public and private collections around the world, see bios below. Very good “as found”, “as is” condition. Has 2-3 brownish liquid drip stains running down right hand side of painting all the way to the bottom, see photos. Surface dust and patina commensurate with 20-50 year old painting. Would benefit from a professional cleaning. Probably some craquelure, though I can not find any. Frame in very good condition with a few scrapes and bumped, dinged corner. Otherwise very good to excellent. Minor small areas with loss of paint or scuffs due to surface rub or minor abrasion damage. See all photos. See all photos for accurate description of original Paul Ambille painting. No returns accepted. Required signature confirmation delivery to known Paypal address. Figurative painter, Paul Ambille enrolled at the Ecole des Beaux-Arts in Paris where he attended the workshops of Jean Dupas, Raymond Legueult and Edouard GoergIn 1955, he won the first Grand Prix de Rome for his canvas decoration for a wedding hall and becomes resident at the Villa Medici in Rome for four years.He won the gold medal in the Navy Salon in 1992 and was appointed Navy painter in 1993. In 1995, he was elected president of the Taylor Foundation, a position he held until 2007.As described Jean Saucet: “His painting is expressed in a register with vibrant colors, objects that his art captures are seen as if through a veil, one can even say that they dreamed, as they are fluid, quivering, as the quintessence of their own poetic … [ref. needed] “He remained long a home-workshop at No. 2 rue General Pershing in Clermont before retiring to Arette.Works in public collections [edit | edit the code]in FranceCollections of the cities of Chalon-sur-Saône, Cherbourg, Cluny, Mantes-la-Jolie, Mulhouse, Paris;Arette church: The Earthquake 13 August 1967 , stained glass ;Dreux, Museum of Art and History Marcel-Dessal;Fontainebleau, Museum of figurative arts;Paris, École nationale supérieure des Beaux-Arts: Decoration for a wedding venue, 1955, oil on canvas, painting Rome Prize in 1955 Rouen, City Hall: View of Spain, prior to 1953, oil on canvas Unknown Location: Castle Sant’Angelo, 1958 In ItalyRome, Villa Medici;In IranTehran, Museum of Contemporary Art;In JapanKobe, City Museum;Yamagotata, museum.Paul Ambille is regularly presented to works of art exhibitions organized each year in the Spring Rochevilaine since 1998 in field of Rochevilaine in Billiers (Morbihan). One of the four suites of the field was dedicated to him. Y is exposed one of her original works, which presides over the decoration of the interior.Paul Ambille is shown continuously in the following galleries:in France: Leadouze gallery Paris and Cannes, Hénot gallery in Enghien-les-Bains;Japan: Tamenaga gallery in Tokyo and Osaka Ashia gallery;US: David B. Findlay Gallery in New York, and the Phillips Gallery in Palm Beach and Houston;England: George Gallery in London;Netherlands: Amsterdam Breughel gallery;Switzerland: Valotton gallery in Lausanne;1960-1962: exhibition at the gallery in Paris Dauphine and from 1964-1966, with an interruption in 1963 when he exhibited at the gallery in Paris J. Henault;1967: Jacques Hamon gallery in Le Havre; Gallery Casino in Cherbourg; Dauphine gallery in Paris;Cultural space, chapel of Saint-Memmie, from 15 to 23 June 2002;1977: “The last fifty first prizes in Rome Picasso Antibes’ Picasso Museum in Antibes.Salons [edit | edit the code]Paris Biennale (1961)School of ParisPainters Witnesses of their TimeBiennial of MentonComparisons SalonUnion of Plastic ArtsLatina landShowdownBiennial of Villeneuve-sur-LotInternational Biennial of MerignacBiennial of AsnieresSalon Cergy-PontoiseShow JuvisyDeanery of Saint-ÉmilionGroup 109Biennale of Painting at the PolytechnicSalon d’AutomneFrench Artists SalonMarine SalonInternational Society of Fine ArtsSAGAISAF TIAS in JapanInternational Fair New YorkSalon d ‘AngersPlastica LatinaA Weekend for Art, Marly-le-RoiSalon de la Jeune Peinture the modern art museum of the city of Paris 1960Awards [edit | edit the code]Honorary President of the French Society of Artists (1979 – 1981)Navy Painter (1993)Director of the Liaison Committee of Fairs and artists unions with the Ministry of Cultural AffairsMember of the purchase of the State CommissionPresident of the Taylor FoundationVice President of Arts and TherapyMember of the National Council of Plastic Arts, the union of Parisian criticism, the committee and the jury of the International Society of Fine ArtsAssociate of the Salon d’Automne, the Jeune Peinture, the witnesses of their time PaintersPrice [edit | edit the code]1955: first Grand Prix de Rome;1957: Price San Vito Romano (Italy);1958: Gold Medal of the Mostra Internazionale del Arte Comtemporanea (Italy);1967: great price of Aquitaine;1970: Léonie Valmon prices; Alphonse de Neuville prices; price Sanford Saltus Foundation;Dagnan-Bouveret prices; Grand Prize of the 6th International Biennial of Cherbourg;1971: gold medal of French Artists Salon; Taylor price;1972: Grand Prize General Council of Val d’Oise;1973: Grand Prize Oise Salon 73;1974: prices Ministry of Cooperation;1975: prices and vermeil medal of the city of Pau; awards and medals of Mantes-la-Jolie;1976: Price of the Institut de France;1977: Medal of recognition of the Oise department; medal of honor of the French Artists Salon;1978: large Delmas price of the Institute of France; Grand Prize of the 4th Biennial of Asnieres;1979: prize Edouard-Marcel Sandoz;1980: Grand Prize of the Biennale Beaugé; Grand Prize of the city of Tours; Grand Prize exhibition Mantes-la-Jolie; Grand Prize General Council of Yvelines;1983: Achille Fould Stirbey Grand Prize of the Academy of Fine Arts;1984 Grand Prize of the city of Sannois; Eugene Piot Grand Prize of the Institut de France;1986 Gold Medal of the city of Agen;1987 Gold Medal of the city of Arette;1988 Grand Prix of the Salon of Hodenc-Bishop; Grand Prize and medal recognition of Val d’Oise;1990: Grand Prize Exhibition of artists of the tenth arrondissement of Paris; gold medal of the city of Clermont-de-Oise;1991 Gold Medal of the City of Raincy;1992: Price of the magazine L’Amateur Art; gold in the 33rd Naval Salon;1993 Navy painter;1994 Grand Prize of the French Federation of ball;1995 Medal of the city of Perigueux;1997: Gold medal Arts Sciences Letters, a tribute from the town of Senlis; gold medal of the city of Maubourguet;1998 large vermeil medal of the city of Paris.Also See Artist Paul Ambille biographies on Askart and Nolan-Rankin Art Gallery WebsiteShop Studio TORNO Ebay Store.Here to Sell, Happy Hunting, Good Luck Bidding, and All the Best!

Work Boat & World War 2 Dogfight W/C Paintings-1960s/70s-Israel Louis Winarsky

This is an 22 by 30 inch watercolor painting on both sides of the paper, one side showing boat workers and the other side showing a World War 2 dogfight. It was done around the 1960s or 1970s by listed New Jersey artist Israel Louis Winarsky. It was part of his estate that I bought directly from the estate. It has an estate stamp on back. The painting is in excellent condition with no issues. The photos tell the story. It will be shipped for $30 via UPS or USPS. Known to few in his lifetime, Israel Louis Winarsky epitomizes the discovery of a significant Newark, New Jersey artist. Born in Newark in 1930 of Jewish descent, “Lou” passed his childhood living with his family above his father’s butcher shop first located at 295 and then at 372 Hunterdon Street. His artistic journey began with a gift of crayons, his first childhood memory. He soon became enamored of oils, pastels, watercolors and charcoal. Winarsky attended the local public schools. Between 1944 and 1947, while working part time as a sign painter, he carried on his education at Weequahic High School. Afterwards, he enrolled at the Newark School of Fine & Industrial Art during the early directorship days of Henry Gasser(1946-1954) and was a student of Samuel Brecher. Later in life he spoke often to his family about Brecher whom Winarsky considered a friend. In 1951 he earned a B.A. in physics from the University of Chicago and then enlisted in the Air Force, serving some time in Korea as a radioman. In 1961, having painted continuously for over ten years, he traveled around Europe on a motor skooter. In France, Italy and Israel he embraced the people, culture and art and recorded some of his thoughts in letters sent back home to his family. Winarsky said of himself, “If you want to know who I am, look at my art, my music and my books.” While music and books were part of Winarsky’s identity, art was his calling. The paintings and drawings of Winarsky reflect emotion, exuberance and insightful character portrayal. His subject matter ranges from powerful holocaust evocations to jubilant nature and urban interpretations to character explorations. The tragic empathy and gravity that are evident in his Semetic character ensembles are counterbalanced by the uplifting vitality of his colorful landscapes, cityscapes, still lives, and harbor scenes. Most of his best oil paintings are vibrant expressions of color and form that resonate beauty and probity. Appropo of Winarsky’s varyingly dynamic, often pure and sometimes quasi-geometric use of color, one could wonder about Oscar Bluemner’s influence on Winarsky’s vision. Much of Winarsky’s work could be viewed stylistically as that of an American Colorist in the modified tradition of Bluemner with whose work and color theories Winarsky probably was familiar. Many of Winarsky’s landscape paintings fit/pictorially express Bluemner’s notion:“Whatever inner impulse we address towards nature is abstract. Thus, a landscape, as a motive for expression,undergoes a free transformation from objective reality to a subjective realization of personal vision.” *Oscar Bluemner: American Colorist, p.23, Fogg Museum, October 11-November 15, 1967) Moreover, Winarsky’s frequent use of simplified masses in landscapes reflects the influence of both Marsden Hartley and as well as that of Oscar Bluemner. Combining his preoccupations with World War II history and military aircraft design, Winarsky also painted many watercolors of aerial combat, missions and sorties. Winarsky was not devoured by the holocaust horror but was indelibly touched by its human lesson. As a result it seems he was emancipated to appreciate the beauty of life and art more not less because of its occurrence. His style was variably expressionist and impressionist with a modernist flair and a representational base that gave his work multiple facets. His palette was zestful, his compositions bold and forthright and oftentimes quite complex. Winarsky, as do most successful artists, has left us with a pictorial range of his interests, attitudes and favorite subject matter in a expressive and effective manner. Appropo of his modernist approach, Winarsky did not try to record the literal but rather sought to transform it. His subject matter, whether it was a still life, a figure or a landscape, was channeled through his transformative sensibilities with an often cogent result. Perhaps his greatest gift was that he was a committed and imaginative colorist whose vision was authentic, personal and accessible. Winarsky had no other non-service residence other than his family home until 1965. He then married Bernice Kurman and moved to Eastern Parkway in Newark before settling permanently three years later at 299 Short Hills Avenue in Springfield, N.J. , a home on a wooded lot that served as a refuge, studio and subject for Winarsky. He supported his wife, his son & his daughter by working in research and development at Squibb/Bristol Meyers. Despite his more public life in science, privately he was constantly immersed in his lifelong growth as an artist. Winarsky died of a heart attack in his Springfield home in June of 2006, leaving a large inventory of his passion and vision intact. Israel Louis Winarsky should be remembered for his beautiful impressionistic and expressionistic landscapes, his holocaust depictions, his urban portrayals, his colorful still lives, his harbor renderings and his expressionistic character interpretations, all of which secure a place for him among New Jersey’s most remarkable 20th century artists.