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Item Tag: MASONITE

painting of Clementines

This exquisite painting is a one-of-a-kind creation by the artist Sanae Ait Taleb. The work portrays a still life scene with impressive realism and impressionism, making it a true masterpiece. Measuring small in size, the painting is made of high-quality masonite material and crafted with oil painting production technique. The piece is an original artwork produced in 2024 in Morocco, and it is a perfect addition to an art collector. The painting is perfect for those who appreciate unique, one-of-a-kind items that showcase the artist’s talents.

Blimp In Flight over a Village Fauvist/Expressionist Painting-60s-I.L. Winarsky

As a New Jersey painters specialist who offers on eBay the most diverse array of New Jersey’s most highly regarded iconic artists as well as some of the more obscure but significant and deserving past painters including Henry Gasser, Bernard Gussow, John Grabach, Armando Sozio, James Carlin, Gar Sparks, Frank Zuccarelli, Adolf Konrad, Gustave Cimiotti, etc., I am now offering this vibrantly colored and enigmatic 16 by 20 inch Fauvist/Expressionist oil painting on masonite depicting a modernist village and landscape with a blimp/zeppelin in the sky and done by listed New Jersey artist Israel Louis Winarsky (1930-2006). It is a terrific painting. It is in excellent condition. It is unsigned. Estate stamp verso. It comes with NO frame. The one shown is for display purposes only!! It will be shipped for $20 via UPS or USPS. Known to few in his lifetime, Israel Louis Winarsky epitomizes the discovery of a significant Newark, New Jersey artist. Born in Newark in 1930 of Jewish descent, “Lou” passed his childhood living with his family above his father’s butcher shop first located at 295 and then at 372 Hunterton Street. His artistic journey began with a gift of crayons, his first childhood memory. He soon became enamored of oils, pastels, watercolors and charcoal. Winarsky attended the local public schools. Between 1944 and 1947, while working part time as a sign painter, he carried on his education at Weequahic High School. Afterwards, he enrolled at the Newark School of Fine & Industrial Art during the early directorship days of Henry Gasser(1946-1954) and was a student of Samuel Brecher. Later in life he spoke often to his family about Brecher whom Winarsky considered a friend. In 1951 he earned a B.A. in physics from the University of Chicago and then enlisted in the Air Force, serving some time in Korea as a radioman. In 1961, having painted continuously for over ten years, he traveled around Europe on a motor skooter. In France, Italy and Israel he embraced the people, culture and art and recorded some of his thoughts in letters sent back home to his family. Winarsky said of himself, “If you want to know who I am, look at my art, my music and my books.” While music and books were part of Winarsky’s identity, art was his calling. The paintings and drawings of Winarsky reflect emotion, exuberance and insightful character portrayal. His subject matter ranges from powerful holocaust evocations to jubilant nature and urban interpretations to character explorations. The tragic empathy and gravity that are evident in his Semetic character ensembles are counterbalanced by the uplifting vitality of his colorful landscapes, cityscapes, still lives, and harbor scenes. Most of his best oil paintings are vibrant expressions of color and form that resonate beauty and probity. Appropo of Winarsky’s varyingly dynamic, often pure and sometimes quasi-geometric use of color, one could wonder about Oscar Bluemner’s influence on Winarsky’s vision. Much of Winarsky’s work could be viewed stylistically as that of an American Colorist in the modified tradition of Bluemner with whose work and color theories Winarsky probably was familiar. Many of Winarsky’s landscape paintings fit/pictorially express Bluemner’s notion:“Whatever inner impulse we address towards nature is abstract. Thus, a landscape, as a motive for expression, undergoes a free transformation from objective reality to a subjective realization of personal vision.” *Oscar Bluemner: American Colorist, p.23, Fogg Museum, October 11-November 15, 1967) Moreover, Winarsky’s frequent use of simplified masses in landscapes reflects the influence of Marsden Hartley as well as that of Oscar Bluemner. Combining his preoccupations with World War II history and military aircraft design, Winarsky also painted many watercolors of aerial combat, missions and sorties. Winarsky was not devoured by the holocaust horror but was indelibly touched by its human lesson. As a result it seems he was emancipated to appreciate the beauty of life and art more not less because of its occurrence. His style was variably expressionist and impressionist with a modernist flair and a representational base that gave his work multiple facets. His palette was zestful, his compositions bold and forthright and oftentimes quite complex. Winarsky, as have most successful artists, has left us with a pictorial range of his interests, attitudes and favorite subject matter in a expressive and effective manner. Appropo of his modernist approach, Winarsky did not try to record the literal but rather sought to transform it. His subject matter, whether it was a still life, a figure or a landscape, was channeled through his transformative sensibilities with an often cogent result. Perhaps his greatest gift was that he was a committed and imaginative colorist whose vision was authentic, personal and accessible. Winarsky had no other non-service residence other than his family home until 1965. He then married Bernice Kurman and moved to Eastern Parkway in Newark before settling permanently three years later at 299 Short Hills Avenue in Springfield, N.J. , a home on a wooded lot that served as a refuge, studio and subject for Winarsky. He supported his wife, his son & his daughter by working in research and development at Squibb/Bristol Meyers. Despite his more public life in science, privately he was constantly immersed in his lifelong growth as an artist. Winarsky died of a heart attack in his Springfield home in June of 2006, leaving a large inventory of his passion and vision intact. Israel Louis Winarsky should be remembered for his beautiful impressionistic and expressionistic landscapes, his holocaust depictions, his urban portrayals, his colorful still lives, his harbor renderings and his expressionistic character interpretations, all of which secure a place for him among New Jersey’s most remarkable 20th century artists.

VINTAGE MIXED MEDIA MASONITE BOARD SIGNED ACHIBANE MOROCO STREET VILLAGE SCENE

FOR YOUR CONSIDERATION AN ORIGINAL MIXED MEDIA ON MASONITE BOARD, SIGNED BY ARTIST WHAT APPEARS TO READ ACHIBANE.ORIENTALIST VILLAGE STREET SCENE. THE PIECE IS IN EXCELLENT USED CONDITION ,FRAME WITH SMALL CRACK BUT VERY HARD TO SEE ,PLEASE TAKE PICTURES AS PART OF DESCRIPTION . MEASURES FRAME 22″ X 18″ ART 15 1/2″ X 11 1/2″ Please ask any questions prior PURCHASE ,Payment is due within 5 days of auction end OR PURCHASE. WE ARE FULLY RESPONSIBLE FOR THE CORRECT PROTECTION OF THE PIECE. PICKUP , DELIVERED OR ANY OTHER AGREEMENT FOR DELIVERED AFTER CLEAR AND CONFIRMED PAYMENT.

JEAN PICHOTTA GROSS! Large Original Oil Painting on board. CRUCIFIXION. NR

For Your Consideration: A Large Vintage 1960’s Original Oil Painting on Board, titled CRUCIFIXON. By Listed artist Jean Pichotta Gross. Overall size is 36.75″ x 54.75″. Originally on display, for many years, at Mt. Mary College. Amazing Piece of Art. See Pics. Email me should you have any questions. Thanks for Looking! John 3:16 　 Shipping will be within 3 business days after payment has been made. Shipping to HI and AK will be slightly higher than stated cost. It is my intension to make nothing on shipping.

Joyce Stone “Arabian Gazelle” Original painting on board Signed And Framed

This is a Joyce Stone original oil painting on masonite board. The image measures 9 ” by 12″ and is set in a double wooden frame. The outside frame measures 15″x18″ This mid-century painting depicts an Arabian gazelle in motion. The frame has minor paint loss and there is a hairline scratch on the black part of the painting near the gazelles hind legs. Please look at all the pictures. Email any questions. Thank you for looking.

Beautiful Moonlit Evening Original Oil Painting on Masonite Board ~Sign EAL 80.

Up for sale we have this Beautiful Moonlit Evening Original Oil Painting on Masonite Board ~Sign EAL 80.We will combine shipping on multiple purchases when possible to do so, just ask. This and others came from a recent estate sale in Northern Montana. I charge a modest $1.00 extra to help cover the shipping supplies, such as bubble wrap, packing peanuts and tape and is included in your shipping costs. Thank You Much!!