Original Birch Forest Landscape Gouache Painting, Spring Trees Still Life Art

Original landscape gouache painting, colorful birch forest painting, birches trees wall art, small spring forest painting, watercolor watercolour aquarelle illustration drawing, original nature swamp painting, green spring sunset forest landscape wall art, forest drawing original art.

Original Seascape Landscape Gouache Painting, Still Life Sunset Small Beach Art

This is 100% original hand-painted small gouache still life painting from July 2022. I painted it while summer sunset on Nice (France) promenade on my plein air painting session from direct observation. One-of-a-kind piece. It measures 6×4 inches and will be shipped to you unframed, safely protected. Have the author’s signature on the backside of the artwork. The frame is not included. Title – “Sunset Promenade” | Code G.194.22 Painting size: 6×4 inches | 15×10 cm | horizontal orientation Materials: – Special quality watercolor paper, heavy 250 gsm. – High-quality professional gouache paints. – Protected with couple layers of watercolor/gouache UV aerosol fixative which protects and ensures a long life to the painting. Please note that the colors in the picture may vary, depending on your monitor settings and type. Care and Protection: There are no special recommendations for care. Watercolor artwork protected with special fixative, but for the best care better don’t touch painting with wet hands. For better preservation, you can keep painting in a frame under the glass with Passepartout. I welcome inquiries for commissions. If there are any questions, let me know, please. © AnnaSalixArt 2023 original landscape gouache painting, colorful seascape still life watercolor painting, small tiny sunset summer landscape wall art, miniature realism beach plage painting, still life expressionism painting, ocean sea waves illustration wall art, nature small art, colorful Nice France lighthouse painting, french seascape landscape painting

Exceptional Large c 1940s Rolph Scarlett Abstract Non Objective Gouache American

This listing is for the Exceptional Large c. 1940s Rolph Scarlett “Untitled” Gouache Painting pictured above. About this work: An excellent example of Scarlett’s desirable abstract gouache compositions from the first half of the 20th century. This work showcases Scarlett’s playful use of organic forms, reminiscent of the Spanish master Joan Miro. This colorful arrangement of shapes is set against a contrasting light green/blue background. The work is gouache on paper and is signed in the lower right. It is matted and framed behind glass. Provenance: La Parete Gallery, Toronto, Canada; (acquired from the above) Private collection, Michigan; Acquired from the above Size: 17 inches tall by 23 inches wide (artwork) 25.25 inches tall by 31.25 inches wide (frame) About the artist: Any presentation on the legacy of Rolph Scarlett has to include the history of the Guggenheim Museum’s founding, which was the peak of Scarlett’s career. Along with Wassily Kandinsky (1866-1944) and Rudolf Bauer (1889-1953), Scarlett was one of the founding artists of Solomon Guggenheim’s original museum which opened in 1938: THE MUSEUM OF NON-OBJECTIVE PAINTING. He became the third most highly collected artist among Guggenheim’s vast holdings which comprised the Museum’s permanent collection. Through the Museum’s founding curator and director, Baroness Hilla Rebay’s zealous leadership and advocacy of this radical avant-garde genre of painting and philosophy, the museum became a groundbreaking institution in New York, attracting collectors, critics, and artists. Rolph Scarlett – painter, stage and set designer, industrial designer, and jeweler – was introduced to non-objective in 1923 through a chance meeting in Geneva with Paul Klee. In 1938, after submitting a portfolio of gouaches one paper to Baroness Rebay, he was awarded a Guggenheim Grant which was enough to allow him to paint full-time. Described by Rebay as her “greatest find”, Scarlett became one of the exhibiting artists as well as a featured lecturer at the Museum on the principles of non-objective painting. The Museum and Scarlett thrived for the next ten years until Solomon Guggenheim’s death in 1949 after which the Guggenheim family – contrary to Solomon’s stated wishes – altered the programming of the museum from its exclusive focus on non-objective to a more general presentation of Modern Art. Most of Guggenheim’s collection of non-objective that had been so carefully selected and curated by the Rebay and Guggenheim – including all of Scarlett’s – were placed in storage and remained largely unseen again until the early 2000’s. Scarlett’s work was featured in several other museum shows, including the Whitney Museum of American Art’s juried annuals in 1951 and 1952. But with the bitter experience of seeing much of his best work placed into storage to remain unseen, as well as losing the important position of the museum’s featured lecturer on non-objective, Scarlett turned his back on New York and moved north to the Woodstock region. There he painted, made jewelry, and had the occasional local show. He also accepted residential teaching positions in Florida and Portugal. He later wrote a memoir, bittersweet in its recounting of the original museum’s halcyon era of 1938-1950, entitled “The Baroness, the Mogul, and the Forgotten History of the First Guggenheim Museum (As Told by One Who Was There)”. Scarlett died at his home in Woodstock in 1984. Today, Roph Scarlett is increasingly praised as one of the important contributors to the canon of American Modern. His paintings are in the permanent collections of multiple prestigious museums including The Solomon R. Guggenheim Museum of Art; National Gallery of Art, Washington, DC; Los Angeles County Museum of Art; Smithsonian Museum of American Art; Museum of Modern Art, NYC; Montreal Museum of Fine Art, Montreal, Quebec; deYoung Museum of Fine Art, San Francisco, CA, and others. Source: Frederick Holmes and Company Condition: Good overall condition. Pinpoint area of flaking upper right margin. Minor scattered surface scratches (probably from production). Frame with wear and nicks. It is ready to be displayed and enjoyed! This work will be carefully packed and shipped with insurance and signature confirmation. Free local pick up is also available. International buyers – please note I cannot lower the declared value of the package for customs. I frequently receive messages from people after I sell an item, asking if it is definitely gone. If something catches your eye, don't hesitate to inquire before it is sold! Feel free to ask any questions.

Original Art – Hand Painted – Gouache on Non-Stretched Canvas – One of a Kind –

Original Art – Hand Painted – Gouache Paint on Non-Stretched Canvas – Unframed – One of a Kind – Title of the Artwork: Boots and Blue Jeans – Height 16 in X Width 14 in

Original Acrylic and Gouache Floral Painting Uriel.C 20×16

The product is a large 20×16 original acrylic and gouache floral painting by artist Uriel.C, signed by Renea Menzies. The painting is one of a kind and handmade, featuring elements of various art styles such as Art Deco, Expressionism, and Surrealism. It was produced in Colorado, USA in the 2010s and is decorated with a floral theme, depicting women and landscapes. The painting is unframed and comes from the United Kingdom, making it a unique and culturally significant piece of contemporary art.

Original Gouache Floral Painting “Lilys Depth” Uriel.C 8×10 Art Deco

This original Gauche floral painting titled “Lilys Depth” by artist Uriel.C is an 8×10 Art Deco piece from the United Kingdom. Handmade with a unique blend of Art Deco, Expressionism, and Fauvism styles, this one of a kind artwork is signed by the artist.

VINTAGE TRAIN PAINTING RAILROAD REALISTIC REALISM ILLUSTRATION ORIGINAL MARSHALL

Samuel CollectionSAVE ME AS YOUR FAVORITE ART AND ANTIQUES DEALER. NEW ITEMS ADDED DAILY. MUSEUM QUALITY ESTATE ITEMS. Measurements: ORIGINAL GOUACHE AND WATERCOLOR PAINTING ON RTIST PAPER.. GOOD CONDITION. UNFRAMED. ORIGINAL MATTING HAS WEAR. PAINTING IMAGE IN GREAT SHAPE. JUST NEEDS FRAMING. SIGNED BY RICHARD MARSHALL. I AM SELLING A COLLECTION OF THIS ARTIST. MOST DATE 1950’S TO 1970’S. THIS ONE IS DATED ON THE BACK 1952. MOST DEPICT SCENES FROM THE 1920’S TO 1930’S. IMAGE SIZE 16.5 BY 23.5 INCHES. MATTING SIZE 24.5 BY 31 INCHES ( WC.3.2.2 )

ACEO original Food Art Raspberry Jam Jar Still Life Watercolor 2.5″3.5″ SRA

• Title ( granny’s raspberry jam) • Artist: Kristen Trasher • Media: Professional-grade watercolor paint • Size: Standard ACEO size 2.5″ x 3.5″ • Date: Created in 2026 • Authenticity: Signed, titled, and numbered on the back by the artist • Shipping: Painting is in penny sleeve packaged in nice envelope cardstock. I ship with a stamp

ACEO original Food Art Tomatoe Heirloom Garden Still Life Gouache 2.5″3.5″

• Title ( granny’s tomatoes) • Artist: Kristen Trasher • Media: Professional-grade designer gouache paint • Size: Standard ACEO size 2.5″ x 3.5″ • Date: Created in 2026 • Authenticity: Signed, titled, and numbered on the back by the artist • Shipping: Painting is in penny sleeve packaged in nice envelope cardstock. I ship with a stamp

Item Tag: Gouache Painting