The Marsh, #203, 1991
Rather than describing a specific vista, Reisiger’s handling emphasizes the relational dynamics of form and hue, inviting the viewer’s eye to move through a sequence of visual intervals that resonate like musical phrases.
Rather than describing a specific vista, Reisiger’s handling emphasizes the relational dynamics of form and hue, inviting the viewer’s eye to move through a sequence of visual intervals that resonate like musical phrases.