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Item Tag: Dealer or Reseller

VINTAGE silver vase and oranges Oil Painting 8×1 2in Demenko

Original Unique oil painting. Painting suitable for interior of theliving room kitchen cafe or your variant! Colors used: White, Orange, Red, green, Brown. Used high quality naturalmineral oils. Mood: Pleasant, Comfy, Tasty, Sweet, Delicious, Clean.

James Colt Western Americana Signed Painting Listed Artist

This James Colt Western Americana signed painting depicts cowboys and horses in a Western-themed style. Handmade in the United States, the acrylic painting is framed and measures 20 inches in length and 16 inches in height. The artist, James Colt, is known for his Americana and impressionistic works, showcasing a unique blend of Western and American art influences. This original piece is sold as a single piece by a dealer or reseller, making it a valuable addition to any art collection. Size noted is the painting only and doesn’t include the frame. Please review the pictures. Thanks for looking.

Adolph Frederick Kleiminger Western Cowboy Horse Pink Mountains Oil Painting

Adolph Frederick Kleiminger (Massachusetts United States, 1865-1945) Born Chicago, Illinois; died Tucson, Arizona. Addresses: Chicago, Illinois, New York, New Jersey, Non Quitt, MA. He studied with John Vanderpoel; H. Martin; Art Students League. He was a member of; Chicago Society of Artists*, Society of Independent Artists*; New Bedford Society of Artists. He exhibited at; New Bedford Art Club, 1912-1916; Armory Show*, 1913; Art Institute of Chicago, 1913-1925; Artists Guild Chicago, annually until 1914; Paris Salon*; Munich; Edinburgh, Scotland; S. Indp A, 1917. He worked at: Old Dartmouth History Society, taught at Art Institute of Chicago; then went to Paris for further study. Was in New Bedford in the early 1900’s, teaching at Swain Free School of Design. He married Frances E.

Jo Cain PAINTING ANTIQUE WPA HISTORIC NEW YORK RARE REGIONALISM MURAL STUDY RARE

Samuel CollectionSAVE ME AS YOUR FAVORITE ART AND ANTIQUES DEALER. NEW ITEMS ADDED DAILY. MUSEUM QUALITY ESTATE ITEMS. Overview: ORIGINAL PAINTING ON ILLUSTRATION BOARD. GOOD CONDITON. AN IMPORTANT WORK OF ART BY FAMOUS WPA MURALIST. PRICE IS BASED ON AGE, QUALITY, CONDITION AND WHAT I PAID TO OWN IT. Measurements: BOARD SIZE 5.5 BY 15.5 INCHES (CF DSR2) JOSEPH LAMBERT CAIN (1904-2003)Born and raised in New Orleans, Joseph Cain studied at the Chicago Academy of Art and at the Art Students League in New York. Through the years he painted a variety of subjects, but one of his favorites was the street life of his native city. Representations of New Orleans provide the subject for many of his earliest paintings, as well as late works like Miss Willie’s Revisited, which shows the “parlor” of one of the city’s more famous bordellos. Other memories of New Orleans include two views of St. Louis #3, one of its historic cemeteries; House with Cornstalk Fence; Queen of the Mardi Gras; and Peep Show.In the 1930s, Cain’s work became increasingly abstract. The apparent flatness of his compositions, together with the sense of movement achieved by the manipulation of overlapping color planes and perspective, are characteristics of a style described in 1939 as “decorative expressionism.”Cain’s paint is usually thickly applied, and while his dancers, harlequins and ladies of the evening owe their inspiration to Matisse and other modernists, as one critic observed, his work “has a fresh vision that cannot be clearly traced either to contemporary American or French schools. His world is never dirty, mean or gray, but it is always bright and luminous” (Stanley Lothrop, Boyer Galleries, New York, 1939). Thank you for viBiography from The Johnson CollectionJOSEPH LAMBERT CAIN (1904–2003)A painter, muralist, and art educator, Joseph Cain’s work was consistently infused by the color and vibrancy of his native New Orleans, even as he pursued a career that took him far from home. Beginning at the age of sixteen, his educational journey led him first to the Art Institute of Chicago and then to the Art Students League in New York, where he was instructed by Kenneth Hayes Miller and Kimon Nicolaides. He later studied under the Abstract Expressionist Hans Hoffman. A 1929 Carnegie Fellowship funded a year’s enrollment at the Sorbonne in Paris and travel throughout Europe; Cain also received multiple Tiffany Foundation Fellowships.Using thickly applied paint, layered color planes, and multiple perspectives, Cain created paintings, including streetscapes, marine scenes, and landscapes, which were sometimes categorized as “decorative expressionism” beginning in the late 1930s. In 1932, Cain’s entry to the First Biennial Exhibition of Contemporary American Painting at the Whitney Museum of American Art hung in the exhibition’s entry way; other works were shown at such prestigious venues as the Museum of Modern Art, American Art, Pennsylvania Academy of the Fine Arts, National Academy of Design, and Carnegie Institute. He also executed a monumental mural at New York State Training School where he was employed as a teacher. While living in New York during this period, Cain was an integral member of a contemporary art collective known as “The Group,” whose participants included Milton Avery, George Biddle, Robert Gwathmey, Marsden Hartley, John Marin, and many other important modernists.In 1944, Cain joined the faculty at the University of Rhode Island, establishing and chairing the art department for over two decades. Cain continued to paint long past his retirement from teaching, often returning to New Orleans subject matter in canvases that capture the bright color and festive energy of his birthplace. Payment:· BUY IT NOW payment is DUE IMMEDIATELYCalifornia residents add 8% state sales tax WHEN BIDDING ON ANY ITEM, THE BUYER AGREES TO THESE TERMS.