Vintage Oil Painting on Canvas Panel 20″ x 16″ Old Wooden Mill Building
This painting feels like a window into another place, giving your home a quiet, thoughtful atmosphere.
VINTAGE OIL PAINTING ON CANVAS PANEL 1985 SIGNED STILL LIFE POP ART POMEGRANATE
What stands out about this piece is the canvas material, which gives the artwork a classic, timeless look.
Vintage Oil Painting, Canvas Panel ~ Coastal Scene, Rocky – Colorful 30″ x 22″
I believe created in the 1960’s, possibly early 70’s. Slight surface scuffs and blemishes should be expected.
VINTAGE SET 2 OIL PAINTING CANVAS PANEL SIGNED IMPRESSIONISM SEASCAPE MARINA
The scenes depict calm seascape or harbor with small sailboats. The warm light suggests either early morning or late evening, reflected in the water.
MARK STANFORD FL HIGHWAYMEN STYLE SIGNED OIL PAINTING ON CANVAS PANEL FRAMED COA
Full bloom Jacaranda on the river.
1962 SHIP Oil Painting on Canvas Panel ~ Schooner, Barque ~ 23″ x 16″ Paint loss
Surface paint loss from panel in several areas. Panel is slightly warped as shown in last photo.
Modern Impressionism Abstract Painting, Unidentified Artist Signed
The painting is in excellent condition.
Modern Impressionism Abstract Painting, Unidentified Artist Signed
Modern Impressionism Abstract Painting, Unidentified Artist Signed. Measures 14″ by 13.25″. The painting is in excellent condition. Frames Some Cracks in The Wood, Painted on Solid Wood, Artist Made Frame.
Modern Neo-Impressionism Original Lake Landscape Oil Painting Signed Trapp ‘83
A brilliant modernist original Neo-Impressionism oil painting. Depicts a stunning country landscape scene complete with a lake and lush foliage in the distance. Medium is oil on canvas. Signed Trapp ‘83 in the bottom right hand corner. Impeccable detail with each individual line of color creating the full scene. Nice use of soft pastel tones and capture of light and depth. An amazing work of art done in the neo-Impressionist style reminiscent of late 19th century painters Georges Seurat and Paul Signac. Neo-Impressionism is a term coined by French art critic Félix Fénéon in 1886 to describe an art movement founded by Georges Seurat. Seurat’s most renowned masterpiece, A Sunday Afternoon on the Island of La Grande Jatte, marked the beginning of this movement when it first made its appearance at an exhibition of the Société des Artistes Indépendants (Salon des Indépendants) in Paris.[1] Around this time, the peak of France’s modern era emerged and many painters were in search of new methods. Followers of Neo-Impressionism, in particular, were drawn to modern urban scenes as well as landscapes and seashores. Science-based interpretation of lines and colors influenced Neo-Impressionists’ characterization of their own contemporary art.[2] The Pointillist and Divisionist techniques are often mentioned in this context, because it was the dominant technique in the beginning of the Neo-impressionist movement. In Excellent overall condition. Clean, bright and vibrant with only the most minimal signs of handling. Shows the slightest blemish near the signature but this is not noticeable until a much closer inspection is done. No holes, rips, tears or indents. Framed in a sleek contemporary pastel green painted wood frame. Backed with brown paper and ready to hang. Eye catching and appealing. Displays tremendously! Provenance comes from a large collection purchased from the estate of a southern Massachusetts art dealer. Painting measures 30” x 24”. Frame measures 31 1/4” x 25 1/4”. Please feel free to submit an offer. Please enjoy the photos for further item details and if you have any questions feel free to ask. This item ships to the continental USA only due to size. Fast payment ensures prompt shipping. Thank you and be sure to check out our other listings!
1950s Harbor Docks painting MAURICE LOGAN SOCIETY OF SIX CaLiFoRnia Regionalist
From childhood, Logan wanted to be an artist, and he took his first lessons from a Miss Clara Cuff. A family friend paid for the lessons because Logan’s father disapproved of his son’s art interests.