Signed Acrylic With Watercolors Painting Siem Reap Cambodia
Signed black Acrylic with some Watercolor on people riding elephant. Painting from Siem Reap, Cambodia features artwork by artist Kay Koeun. The medium-sized piece 14.5” x 11” showcases a elephant ride in front of a Buddhist temple . Made of matte paper the painting is unframed and comes signed by the artist. This original work embodies the culture and nature of Cambodia, making it a unique and handcrafted addition to any art collection.
Original Chinese Ink Painting Yellow Chrysanthemum Grasshopper Framed Art
The chrysanthemum symbolizes elegance, longevity, and a peaceful autumn spirit. In Chinese culture, thechrysanthemum symbolizesnobility, elegance, longevity, and inner peace.
Antique CHINESE Lithograph/Painting MEN ON HORSES Framed-Signed FROM CHINA c1900
Antique Chinese Mongolian Lithograph/Painting Matted/Framed ~ Signed Early 1900’s (or Older)Amazing Work of Art From China“MEN ON HORSES”Approximately:Framed ~ 23 3/4″ High x 20″ WideUnframed ~ 15 3/4″ Wide x 11 3/4″ HighExcellent Condition! Shipping Includes: Professional Packaging & Insurance. Impressive Chinese Lithograph and painting, high quality fine professionally matted and framed. I am told it is likely CHING DYNASTY, the last dynasty of China and that the red chop with some ideograms, is the ‘signature’ or name of the artist. As I am unfamiliar with Chinese language and artwork, I am uncertain. This work of art can be traced as far back as at least the 1930’s within my family, but is very likely much older. Sold as seen. Will ship anywhere possible. See photos for better description.
Beautiful Vintage Southeastern Asia Landscape Painting Impressionist, Fine!
Illegibly signed in red in the low right corner, this highly attractive painting is well executed and incredibly charming.
WHEEL OF LIFE BHAVACHAKRA/ SAMSARA MANDALA ORIGINAL TIBETAN THANGKA PAINTING
This exquisite Thangka painting is an eloquent portrayal of the Bhavachakra or Samsara Chakra Mandala, also known as the Wheel of Life—a captivating visual narrative that delves into the depths of existence and human activities. Within its intricate design lies the essence of the Bhavachakra, illustrating the cycle of saṃsāra: the perpetual journey of existence, where sentient beings navigate through the six realms of potential reincarnation, as expounded by Buddhist teachings. At the pinnacle of the outer rim stands Yama, the god of death, while the Twelve Nidānas doctrine is illustrated throughout the circumference, depicting the interconnected nature of causality within this cyclical existence. This sacred masterpiece unfolds a symbolic representation of the material world, offering an intricate insight into life’s inevitabilities: birth, aging, suffering, and death. It paints a vivid picture of the cyclical nature of existence, inviting contemplation into the profound teachings of impermanence and the complexities of human life. At the heart of this painting lies the term ‘Mandala,’ rooted in Sanskrit and signifying ‘circle,’ which holds immense significance in this artistic marvel. It serves as more than just a geometric shape—it embodies a powerful symbol of completeness, acting as a blueprint for the intricate organization of life itself. This cosmic diagram serves as a perpetual reminder of our connection to the expansive universe, transcending the physical and spiritual boundaries of our bodies and minds. The concept of the mandala transcends the boundaries of reality, manifesting in both tangible and intangible forms. It appears in the celestial bodies of the earth, sun, and moon, while also resonating in the abstract circles of our connections with our social spheres—our relationships with friends, family, and the broader community. This sacred painting encapsulates the profound essence of this symbolism, offering a mesmerizing glimpse into the intricate interplay between life’s complexities and the spiritual realm. Through its vibrant imagery and intricate symbolism, this Thangka serves as a portal, inviting viewers to contemplate the cyclical nature of existence and to embrace the interconnectedness that binds the universe together in an eternal dance of life and spirituality.” Size: 15-inch x 20-inch (38 cm x 51 cm) – Excluding Outer Border Material: Handmade Cotton Canvas Color: Stone/Water/Oil. -All our paintings are original hand- painting, written (painted) on handmade cotton canvas by expert artists. – Actual color of the paintings may vary slightly due to light conditions during photo shooting and computer screen resolution. -Pictures in-person look better than photographs. -The size of the painting does not include the outer border – All the Paintings will be safely packed inside a PVC Tube to ensure safety during transportation. -Import Duties, taxes, and other charges (if any) at destination countries are of buyers’ responsibility
Original Zhang Guruo (张谷若) Landscape – Disciple of Zhang Daqian – UV Verified
• Artist: Zhang Guruo ( 张谷若, 1905–1981). A highly detailed 20th-century horizontal landscape by Zhang Guruo, a celebrated gate-entering disciple of the 20th-century master Zhang Daqian. The painting depicts a serene scholar’s village nestled among rocky banks and pine groves, rendered with the technical precision of the Da Feng Tang school.
Ukrainian Soviet tempera Painting portrair cubism fauvism Central Asia musician
Tempera on cardboard. Signature verso. Size: 66×44 cm (26×17 1/2 in). Born in Berdichev, Zhitomir region. Studied at Kiev Art School 1950-54. He has graduated from Kyiv Institute of Art 1955-61. He was astudent of V.Kostetski; V.Puzyrkov.
MYANMAR, YANGON – SHWEDAGON PAGODA /ORIG. W/C / 9″ X 12″/ MIMI DAVIS, ARTIST
IT IS ON A SHEET OF 9″H X 12 1/4″W WATERCOLOR PAPER. ARCHAEOLOGIST AND HISTORIANS BELIEVE IT WAS BUILT BY THE MON PEOPLE BETWEEN THE 6TH AND 10 CENTURIES A.D.
Vtg Antique Oil Painting Sailboat Ocean Seascape 28″ x 17″ MCM Asia Feel
What you see in the pictures is actual item you will get.
Sanyu Style Nude Female Chinese French ink drawing art deco Chang Yu 常玉 erotic
Only two works by Sanyu, Peonies and Landscape with Willow Trees, both painted in traditional brush and ink style, survive, further attesting to the lack of artistic activity during this period. Here, Sanyu plunged into what to him was the exotic world of nude drawing.