1950s BALBOA SAILBOATS – Newport CaLiFoRnia Regionalist Scene Painting
1950s Balboa Fun Zone Sailboats in Newport CaLiFoRnia Watercolor by Regionalist/Urban Scene Artist Richard V. Johnson. Watercolorist, Landscape Painter, was born in Glenwood, MN. & moved to Long Beach, CA in 1920 with his family.
Marcos Larios Signed Original Oil Painting 2001 Moonlit Water Boats Palm Trees
Marcos Larios. This painting is a moonlit tropical island where the artist still made things pop with his bold use of color amongst the night blue scene. The palm trees and the boats have such nice detail and impasto.
Henry Peeters (Chinese, born in 1951) Landscape Giclee on Canvas, 33.5″ x 29.5″.
Art Work: 24″ x 20″Frame: 33.5″ x 29.5″. Original giclee on canvas, Landscape, by Henry Peeters. In good condition. Born in Canton, China in 1951, Hing Biu (nom de plume Henry Peeters) received his artistic skills and formal training in his native land. Peeters’ professional career began in 1972 after receiving his degree from the Canton Fine Art University.Henry Peeters stands apart from today’s Impressionist painters with his unique handling of light and shadow. His sensibilities in color and composition are evident of his utmost achievement and ability. Drawing from both eastern and western cultures, Peeters provides us with a refreshing and new insight towards the world we live in. He creates an almost ideal setting for the viewer to relax.Peeters paints mostly from memory and emotion. His landscapes are places that can only be visited in the mind, since they are blends of the real and imaginary.The great success Peeters’ paintings have found in America is testimony to his great skill as an artist. After earning his degree in Fine Art, Henry Peeters spent the next two years exhibiting his work in major cities throughout China and received many national awards.In 1974 Henry Peeters became and art director and set desginer for a prominant film studio. In 1978 he made a bold move to the United States where he found immediate representation with Gallery Revel NYC and many fine art galleries throughout the United States.
JON BIRDSONG Landscape Watercolor Painting Panoramic Teepee Listed TEXAS Artist
Here is a beautiful Signed Original Jon Birdsong (TEXAS) listed Artist watercolor painting dated 1978. this wonderful early birdsong work is a long 29 1/2″ x 14 1/4″ by sight Lush, Colorful and Expressive Impressionist painting of a pair of Teepee’s on the Coastal Plains in the Texas Panhandle. there is a small flock of birds offset to the left side of Teepee and a rolling blue and white cloud covered sky and a small inlet jutting out where the teepees are set up at the edge of the marsh. this Original Jon Birdsong watercolor is executed on heavy textured artist paper and explodes with color and subtle tones and shades of brown, yellow, tan and greens. this painting is signed in lower right corner “BIRDSONG 78” and is double matted and set behind glass in a beautifully matched carved and painted wood frame. the back has apiece of paper attached with a small bio of this Texas artist who now lives in Portales, New Mexico. the craft paper on back has a small area that is loose at top in center. there is no damage to this finely executed piece of art and the carved wood frame is also in excellent condition. please view all pics and read full item condition.
Amazing Landscape – Farm in Background- Cows & people in foreground – gold frame
An oil on canvas painting of a beautiful and complex landscape, with a farmhouse, a watering hole, cows, people and a dramatic sky.
c.1860s American Portrait & Rocker Civil War Widow Claire Hailer of Philadelphia
c.1860s American Portrait & Rocker Civil War Widow Claire Hailer of PhiladelphiaWe are offering This unique, early American oil portrait on canvas is of Claire Hailer, a Civil War Widow. She was a resident of Philadelphia, and her husband was killed at Salem Church, VA on May 3rd, 1863during the Battle of ChancellorsvilleThe frame is from Swain’s Gallery in the 1950-60’s as the label shows (see in photo): it probably was at this time the painting was cleaned and relined. (We find no over paint or tears.)The paperwork from the descendant (a very elderly man), had misspelled Hailer, and is seen in the photos.The details on this painting are gorgeous, and the lace of her bonnet is beautifully rendered,along with the quiet – yet resolute – expression on her face. Included with the portrait of Claire Hailer, is Claire Hailer’s rocker.The 1830’s Boston rocker still has its original paint. This rocker is unique for the fact that it is wide between the arms,made to order specifically for Mrs. Hailer, who may have had a hefty beam herself. Approx. Dimensions of Painting:Canvas Height: 30″Canvas Width: 25″Frame Height: 34 1/2″Frame Width: 29 1/2″Condition:Great condition, painting has been relined. No holes or losses to the paint.Please see all photos for details Approx. Dimensions of Rocker:Height: 41 1/2″Width: 25 1/4″Depth: 29 1/2″Deck Height: 14 1/2″Condition:Age related cracks, scuffs and wear to the paint. Most of original paint is still there. Please see all photos for details. ***The price of the item does not include shipping. We are able to obtain hassle free shipping quotes from various shippers. In order to obtain a shipping quote, please message us with your delivery zip code. Unless otherwise stated, all shipping is handled by third party companies which are in no way affiliates of our company. In most cases, shipping fees are paid directly to the shipper of your choice. Standard delivery time for freight items is approximately 3-6 weeks but can be much sooner at times. Please message us with your delivery zip code for a quote.***The exact skirmish which killed her husband is described below:General Wilcox moved his Alabama brigade from its position at Banks’ Ford to the Plank Road shortly after the Federals had captured Marye’s Heights. He then deployed his troops across the line of the Federal advance, three to four miles west of Fredericksburg, on either side of the Plank Road on a low wooded ridge. In Wilcox’s immediate front was a clearing where the Salem Church stood near the Plank Road. Behind the church was a schoolhouse. Wilcox posted his skirmish line about a mile east of his main line at a tollgate. By this time, McLaws’ and Mahone’s troops were coming into line behind the ridge, undetected by Northern observers. Wilcox extended his lines to overlap both Federal flanks.Brooks continued his advance at the head of Sedgwick’s marching column on the Plank Road. Sedgwick believed that he faced at most a brigade of infantry, since he had already ordered Brooks to brush aside any enemy troops in his front. At 3:25 p.m., the two Confederate guns posted at the tollgate opened fire at a distance of 800 yards. Brooks immediately deployed his men in battle formation on either side of the road, and the 2nd New Jersey was sent out in advance as a skirmish line. Two Federal batteries began answering Cobbs’ fire, and the Union line advanced, pushing the Rebel skirmishers back upon their main line.The Federals, confident that they would not meet with any stronger opposition, continued past the tollgate through the clearing and then entered the woods on either side of the road. To their shock, the Rebel battle line rose and fired upon them at point-blank range. When the Federals on the south side of the road came within range, two Alabama companies posted inside Salem Church and the schoolhouse also opened fire. The Union line halted at first, then swarmed around both buildings and pressed forward, capturing the Alabama troops as they went.At this point, Colonel Emory Upton led his green 121st New York Regiment in a charge upon the men of the 10th Alabama. As Upton moved forward, his horse was shot from under him, but he quickly sprang up and led his troops on foot. The 121st slammed into the Rebels, who soon broke for the rear. Two companies of the 8th Alabama, which was positioned alongside the 10th, faced to their left and fired into the New Yorkers’ flank, while the 9th Alabama, posted behind the 10th, rose up in line and fired into their front. The 9th Alabama countercharged and Upton’s regiment was smashed, losing 200 of its 453 men. As the 121st New York fell back, the 10th and 51st Georgia joined the 9th Alabama in the counterattack. The 14th Alabama threw in its weight as well, and the whole Federal line rolled back toward the tollgate, pressed hotly by the Confederate troops.The Federal artillery at the tollgate blasted the oncoming Southerners, first with shell and case shot, and then with canister as they got closer. The counterattack slowed, and the Confederates halted in their tracks, facing Union infantrymen who were poised and ready. Wilcox, seeing he could gain no more and that darkness was approaching, gave the order to fall back.(source: historynet)All California Residents must pay CA Sales Tax. LOC. HOUSE
Tom Seymour (British, 1844-1904) Antique Oil on canvas, Landscape, Gilt Frame
A striking Victorian-era landscape by British Artist Tom Seymour, capturing a dramatic waterfall rushing through rocky banks into a calm loch beyond. The composition leads the eye from the foaming, fast-moving water in the foreground into misty distance, with wind-shaped trees clinging to the cliffs. The palette leans earthy and atmospheric, with soft light breaking through clouds and reflecting on the water’s surface, giving the scene a classic Highland mood. 📏 Measurements / Medium / Presentation: Oil on canvas. Signed “Tom Seymour” at the lower left. Presented in an ornate gilt frame with beaded liner. Framed: 29 1/4″ x 21 1/2″ inches. Canvas: 24″ x 16″. 🖼️ Condition: Painting: Restored/repaired tear with conservation work.
Antonio DiViccaro Original Impasto Oil Painting Large Mediterranean Landscape
Hand painted in Italy around the 1990s, this unique piece captures the beauty of nature in Italy.
Orphan Girl with Bible in Chamber Scene Print Size 29.5″L x 23.5″W
End to End. Matt Paper.
P. Sungwongsi? Signed Abstract Artwork With Flowers & Fruit 29.5” X 23.5” Framed
This large framed abstract artwork by artist P. Sungwongsi features a beautiful floral theme with flowers and fruit as the main subject. The painting is signed by the artist, adding to its authenticity and value. Made with canvas and acrylic material in the 1990s, this one-of-a-kind piece is a stunning addition to any art collection or living space. With its unique style and handcrafted details, this artwork brings a touch of nature and creativity to any room.