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Item Tag: 1925-1949

Summer Black Forest Oil Painting Rulewski 1942 Signed Antique Valley Oil

Oil on cardboardFor buyers in the United States: The item price and shipping fee include any applicable import duties. You will not be required to pay any additional custom charges. Please purchase with confidence. For buyers outside the United States: The item price and shipping fee do not include import taxes, duties, or customs fees. Any charges incurred outside the European Union are the responsibility of the buyer. Please see photos for age-related conditionFor buyers in the United States: The item price and shipping fee include any applicable import duties. You will not be required to pay any additional custom charges. Please purchase with confidence. For buyers outside the United States: The item price and shipping fee do not include import taxes, duties, or customs fees. Any charge.

Woodland Path in Summer Light, 1937 – Lauritz Howe (1869–1945). Danish Oil.

Oil on canvas, signed Howe lower right and dated 1937. A beautifully detailed forest landscape by Danish painter Lauritz Howe, known for his nostalgic and naturalistic depictions of nature and everyday life. This composition presents a tranquil woodland scene, where a sunlit path winds through tall trees, leading the viewer’s eye into the depth of the forest. Housed in its original Classic Danish gold-tone wooden frame. Certificate of Authenticity (COA) is included.

Exceptional Large c 1940s Rolph Scarlett Abstract Non Objective Gouache American

This listing is for the Exceptional Large c. 1940s Rolph Scarlett “Untitled” Gouache Painting pictured above. About this work: An excellent example of Scarlett’s desirable abstract gouache compositions from the first half of the 20th century. This work showcases Scarlett’s playful use of organic forms, reminiscent of the Spanish master Joan Miro. This colorful arrangement of shapes is set against a contrasting light green/blue background. The work is gouache on paper and is signed in the lower right. It is matted and framed behind glass. Provenance: La Parete Gallery, Toronto, Canada; (acquired from the above) Private collection, Michigan; Acquired from the above Size: 17 inches tall by 23 inches wide (artwork) 25.25 inches tall by 31.25 inches wide (frame) About the artist: Any presentation on the legacy of Rolph Scarlett has to include the history of the Guggenheim Museum’s founding, which was the peak of Scarlett’s career. Along with Wassily Kandinsky (1866-1944) and Rudolf Bauer (1889-1953), Scarlett was one of the founding artists of Solomon Guggenheim’s original museum which opened in 1938: THE MUSEUM OF NON-OBJECTIVE PAINTING. He became the third most highly collected artist among Guggenheim’s vast holdings which comprised the Museum’s permanent collection. Through the Museum’s founding curator and director, Baroness Hilla Rebay’s zealous leadership and advocacy of this radical avant-garde genre of painting and philosophy, the museum became a groundbreaking institution in New York, attracting collectors, critics, and artists. Rolph Scarlett – painter, stage and set designer, industrial designer, and jeweler – was introduced to non-objective in 1923 through a chance meeting in Geneva with Paul Klee. In 1938, after submitting a portfolio of gouaches one paper to Baroness Rebay, he was awarded a Guggenheim Grant which was enough to allow him to paint full-time. Described by Rebay as her “greatest find”, Scarlett became one of the exhibiting artists as well as a featured lecturer at the Museum on the principles of non-objective painting. The Museum and Scarlett thrived for the next ten years until Solomon Guggenheim’s death in 1949 after which the Guggenheim family – contrary to Solomon’s stated wishes – altered the programming of the museum from its exclusive focus on non-objective to a more general presentation of Modern Art. Most of Guggenheim’s collection of non-objective that had been so carefully selected and curated by the Rebay and Guggenheim – including all of Scarlett’s – were placed in storage and remained largely unseen again until the early 2000’s. Scarlett’s work was featured in several other museum shows, including the Whitney Museum of American Art’s juried annuals in 1951 and 1952. But with the bitter experience of seeing much of his best work placed into storage to remain unseen, as well as losing the important position of the museum’s featured lecturer on non-objective, Scarlett turned his back on New York and moved north to the Woodstock region. There he painted, made jewelry, and had the occasional local show. He also accepted residential teaching positions in Florida and Portugal. He later wrote a memoir, bittersweet in its recounting of the original museum’s halcyon era of 1938-1950, entitled “The Baroness, the Mogul, and the Forgotten History of the First Guggenheim Museum (As Told by One Who Was There)”. Scarlett died at his home in Woodstock in 1984. Today, Roph Scarlett is increasingly praised as one of the important contributors to the canon of American Modern. His paintings are in the permanent collections of multiple prestigious museums including The Solomon R. Guggenheim Museum of Art; National Gallery of Art, Washington, DC; Los Angeles County Museum of Art; Smithsonian Museum of American Art; Museum of Modern Art, NYC; Montreal Museum of Fine Art, Montreal, Quebec; deYoung Museum of Fine Art, San Francisco, CA, and others. Source: Frederick Holmes and Company Condition: Good overall condition. Pinpoint area of flaking upper right margin. Minor scattered surface scratches (probably from production). Frame with wear and nicks. It is ready to be displayed and enjoyed! This work will be carefully packed and shipped with insurance and signature confirmation. Free local pick up is also available. International buyers – please note I cannot lower the declared value of the package for customs. I frequently receive messages from people after I sell an item, asking if it is definitely gone. If something catches your eye, don't hesitate to inquire before it is sold! Feel free to ask any questions.