Wilhelm F. Beurlin (d. 1878) “Motif of Istria” watercolor, 1860s (1)
Wilhelm (Guglielmo) Friedrich Beurlin was a well listed Austro-Italian artist, who was born in Trieste ca. 1830. He specialized in the genre of the landscape, painting works mostly depicting the mountains of Tyrol, Istria, the territories of Gorizia and the surroundings of Trieste, pervaded by a romantic inspiration.
Pierre Adrien Chabal Dussurgey Picturesque Country side Road-Oil Painting-c1860s
Pierre Adrien Chabal-Dussurgey was a French visual artist who was born in 1819. The artist died in 1902. oil painting on canvas -Signed. canvas size 17 x 22″. (1819 – 1902). Artist Biography.
Fine Antique Large Still Life Oil Painting Of Fruit James Poulton C 1860’s
For Sale we are delighted to present this stunning antique still life oil painting monogram signed J P for James Poulton active (1844-1859). ~~~~~~~ This large oil on canvas of a selection of arranged exotic fruit of Pineapple, Peach, Green & Black grapes, gooseberry, plumbs pumpkin & Pear is set on a table before a rummer & gold coloured salver with continental background of neoclassical pillar and clouded skyline. Painted supremely as to be expected by Poulton particularly noted in the gooseberries showing semi clear flesh & the amber glass lidded rummer. The painting is monogram signed to to the table edge & signed dated & location to rear. Housed in what we are sure is it’s original gorgeous wooden circular mount with broad Regency gilt pattern outer frame of acanthus leaf border with foliate corners. ~~~~~~~ Condition Supreme the painting came to us housed behind glass (which we have removed for transportation purposes & is not required) the stretchered frame canvas in great shape no damages no signs of repair, no losses no signs of overpainting or touch up, we removed the painting to remove the glass, dust and repaint the frame, the frame has no losses but the mount has 2 hairline cracks non detrimental to it’s original condition, outer frame has a couple of small holes to closest point to wall setting possibly from screws for wall mounts we can fill and paint if required. ~~~~~~~ In my opinion having researched the artist this is not only one of his finest works but is also in fine condition when viewing what few are on offer at the present moment & I would be surprised if anything near to this appears on the market ever again. ~~~~~~~ Measurements outer frame height 86.7 cm, width 86.7 cm depth of frame approximately 8 cm at deepest, Aperture diameter 59.4 cm. ~~~~~~~ About the Artist James Poulton Lived in the United Kingdom & was active in the 19th Century between 1844 & 1860 he painted mainly still life & fruit scenes & his works have been sold at Christie’s & Bonham’s. ~~~~~~~ Deliverywe package supremely bubble wrap & secure all paintings in tailor made plywood crates fully bound in fragile tape browse our feedback for reassurance. Please Notewe offer multiple purchase discounts on all paintings & combined shipping packaged & crated separately then ply crates attached to each other as one fully bound in fragile tape pleas message us to discuss.
David Monies. Old houses by a stream on a summer’s day c1860. Framed
David Monies. David Monies (1812-1894). David Monies attended theRoyal Danish Academy of Fine Arts 1824-1933. A pin hole at the upper middle. A thin crack in the board at the lower right side. Generally in good condition for its age.
*George Henry Burgess*Antique c1860’s Original Oil On Canvas Landscape Painting
Original Oil On Canvas Landscape Painting. Artist Signed lower left hand side. One small patch on verso but does not effect the frontal view what so ever! EXCELLENT CONDITION! —————————————————————————————————————————BIOGRAPHY: George Henry Burgess (June 8, 1831 – April 22, 1905) was an English landscape painter, wood engraver and lithographer.
Home To Thanksgiving By G.H Durrie 1860’s
“Home To Thanksgiving” by George Henry Durrie is a licensed reproduction of an original oil painting from the 1860s. The artwork depicts a traditional New England scene of a family gathering for Thanksgiving, showcasing the artist’s attention to detail and historical accuracy. The use of driftwood as the material adds a unique touch to the piece, making it a beautiful and nostalgic addition to any home decor.
“FISHERMAN ON THE ROCKS” PAUL GUIGOU 1860’s SIGNED FRENCH OIL ON PANEL.
In Provence, Guigou painted small, wooden panels, mainly in the valley of the Durances river, which he subsequently used for larger works. Lack of success forced him to give drawing and painting lessons.
Wayside Inn Sudbury MA c. 1860’s oil painting assumed work of Alfred Ordway
Wayside Inn Sudbury MA c. 1860’s oil painting. I can’t see any signature but was told it was the work of Alfred Ordway. This is a lovely 12 x 20″ (without the frame dimensions) original oil painting on canvas stretcher that I had professionally restored in 2008. It is in great condition and rare. The only one I have ever seen was a smaller watercolor version hanging in the Wayside Inn. The Wayside Inn is the oldest operating inn in the country located in Sudbury Massachusetts built before this country was a country. This masterpiece of art is a valuable piece of American history.
c.1860s American Portrait & Rocker Civil War Widow Claire Hailer of Philadelphia
c.1860s American Portrait & Rocker Civil War Widow Claire Hailer of PhiladelphiaWe are offering This unique, early American oil portrait on canvas is of Claire Hailer, a Civil War Widow. She was a resident of Philadelphia, and her husband was killed at Salem Church, VA on May 3rd, 1863during the Battle of ChancellorsvilleThe frame is from Swain’s Gallery in the 1950-60’s as the label shows (see in photo): it probably was at this time the painting was cleaned and relined. (We find no over paint or tears.)The paperwork from the descendant (a very elderly man), had misspelled Hailer, and is seen in the photos.The details on this painting are gorgeous, and the lace of her bonnet is beautifully rendered,along with the quiet – yet resolute – expression on her face. Included with the portrait of Claire Hailer, is Claire Hailer’s rocker.The 1830’s Boston rocker still has its original paint. This rocker is unique for the fact that it is wide between the arms,made to order specifically for Mrs. Hailer, who may have had a hefty beam herself. Approx. Dimensions of Painting:Canvas Height: 30″Canvas Width: 25″Frame Height: 34 1/2″Frame Width: 29 1/2″Condition:Great condition, painting has been relined. No holes or losses to the paint.Please see all photos for details Approx. Dimensions of Rocker:Height: 41 1/2″Width: 25 1/4″Depth: 29 1/2″Deck Height: 14 1/2″Condition:Age related cracks, scuffs and wear to the paint. Most of original paint is still there. Please see all photos for details. ***The price of the item does not include shipping. We are able to obtain hassle free shipping quotes from various shippers. In order to obtain a shipping quote, please message us with your delivery zip code. Unless otherwise stated, all shipping is handled by third party companies which are in no way affiliates of our company. In most cases, shipping fees are paid directly to the shipper of your choice. Standard delivery time for freight items is approximately 3-6 weeks but can be much sooner at times. Please message us with your delivery zip code for a quote.***The exact skirmish which killed her husband is described below:General Wilcox moved his Alabama brigade from its position at Banks’ Ford to the Plank Road shortly after the Federals had captured Marye’s Heights. He then deployed his troops across the line of the Federal advance, three to four miles west of Fredericksburg, on either side of the Plank Road on a low wooded ridge. In Wilcox’s immediate front was a clearing where the Salem Church stood near the Plank Road. Behind the church was a schoolhouse. Wilcox posted his skirmish line about a mile east of his main line at a tollgate. By this time, McLaws’ and Mahone’s troops were coming into line behind the ridge, undetected by Northern observers. Wilcox extended his lines to overlap both Federal flanks.Brooks continued his advance at the head of Sedgwick’s marching column on the Plank Road. Sedgwick believed that he faced at most a brigade of infantry, since he had already ordered Brooks to brush aside any enemy troops in his front. At 3:25 p.m., the two Confederate guns posted at the tollgate opened fire at a distance of 800 yards. Brooks immediately deployed his men in battle formation on either side of the road, and the 2nd New Jersey was sent out in advance as a skirmish line. Two Federal batteries began answering Cobbs’ fire, and the Union line advanced, pushing the Rebel skirmishers back upon their main line.The Federals, confident that they would not meet with any stronger opposition, continued past the tollgate through the clearing and then entered the woods on either side of the road. To their shock, the Rebel battle line rose and fired upon them at point-blank range. When the Federals on the south side of the road came within range, two Alabama companies posted inside Salem Church and the schoolhouse also opened fire. The Union line halted at first, then swarmed around both buildings and pressed forward, capturing the Alabama troops as they went.At this point, Colonel Emory Upton led his green 121st New York Regiment in a charge upon the men of the 10th Alabama. As Upton moved forward, his horse was shot from under him, but he quickly sprang up and led his troops on foot. The 121st slammed into the Rebels, who soon broke for the rear. Two companies of the 8th Alabama, which was positioned alongside the 10th, faced to their left and fired into the New Yorkers’ flank, while the 9th Alabama, posted behind the 10th, rose up in line and fired into their front. The 9th Alabama countercharged and Upton’s regiment was smashed, losing 200 of its 453 men. As the 121st New York fell back, the 10th and 51st Georgia joined the 9th Alabama in the counterattack. The 14th Alabama threw in its weight as well, and the whole Federal line rolled back toward the tollgate, pressed hotly by the Confederate troops.The Federal artillery at the tollgate blasted the oncoming Southerners, first with shell and case shot, and then with canister as they got closer. The counterattack slowed, and the Confederates halted in their tracks, facing Union infantrymen who were poised and ready. Wilcox, seeing he could gain no more and that darkness was approaching, gave the order to fall back.(source: historynet)All California Residents must pay CA Sales Tax. LOC. HOUSE
Antique Original Watercolor Painting By German Artist Peter Woltze (1860-1925)
Good original condition. W-20 1/4 “.